{"id":2099,"date":"2019-12-04T13:53:41","date_gmt":"2019-12-04T05:53:41","guid":{"rendered":"https:\/\/goodideaart.com\/?page_id=2099"},"modified":"2022-06-14T15:51:03","modified_gmt":"2022-06-14T07:51:03","slug":"%e7%b9%aa%e7%95%ab%e8%b3%b4%e5%ae%89%e6%b7%8b","status":"publish","type":"page","link":"https:\/\/goodideaart.com\/en\/%e7%b9%aa%e7%95%ab%e8%b3%b4%e5%ae%89%e6%b7%8b\/","title":{"rendered":"PAINTING LAI AN-LIN\uff08ANLI GENU\uff09"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column_text][vc_empty_space][vc_separator style=”shadow”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”3658″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/2″][vc_column_text] LAI AN-LIN \/ Anli Genu\uff081958- \uff09<\/span><\/p>\n

A Tayal native from Jianshi Township, Hsinchu County, Taiwan.<\/span><\/p>\n

Bachelor of Fine Art, Chinese Culture University<\/span>
\nMaster of Divinity, Yu-Shan Theological College and Seminary<\/span>
\nMaster of Fine Art, School of Visual Arts, New York City (SVA NYC) <\/span>[\/vc_column_text][vc_column_text]AWARDS
\n<\/span><\/p>\n\n\n\n\n\n\n\n
1983<\/span><\/td>\nThe Dean\u2019s Special Prize in Oil Painting, Fine Art Department CCU<\/span><\/td>\n<\/tr>\n
1984<\/span><\/td>\nFirst Prize in Oil Painting, Qiu Yun Art Award, Fine Art Department CCU.<\/span><\/td>\n<\/tr>\n
1986<\/span><\/td>\n Taiwan Province Art Exhibition, Selected Oil Painting Prize.<\/span><\/td>\n<\/tr>\n
2012<\/span><\/td>\nPulima Art Award, Merit Prize.<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nArts and Business Award, Ministry of Culture, Taiwan.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]Social Charity
\n<\/span><\/p>\n\n\n\n
2019<\/span><\/td>\nDonated his own work, Gutux Niqan (constructed by paper, bamboo and oil painting) from 2016, to the Kaohsiung Museum of Fine Arts.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text]BRIEF BIOGRAPHY<\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1958<\/span><\/td>\nBorn in Mei-Hua Tribe, Jianshi Township, Hsinchu County<\/span><\/td>\n<\/tr>\n
1988-1989<\/span><\/td>\nOn Study Tour to South America on cultural relics of Inca<\/span><\/td>\n<\/tr>\n
1989-1993<\/span><\/td>\nStudied the Master program of Fine Art, SVA NYC, US<\/span><\/td>\n<\/tr>\n
1995-1997<\/span><\/td>\nServed as an Adjunct Lecturer in National Hualien University of Education<\/span><\/td>\n<\/tr>\n
1995-1997<\/span><\/td>\nServed as a jury member at Hualien Arts Exhibition<\/span><\/td>\n<\/tr>\n
1995-1997<\/span><\/td>\nServed as an Adjunct Lecturer in YuShan Theological Seminary<\/span><\/td>\n<\/tr>\n
1995-1997<\/span><\/td>\nServer as a judge at Hualien International Stone Sculpture Festival<\/span><\/td>\n<\/tr>\n
1997<\/span><\/td>\nM. Div., Yu-Shan Theological College and Seminary<\/span><\/td>\n<\/tr>\n
1997<\/span><\/td>\nThe Cover Artist of the Year, Automatic Magazine, published by Tai-An Corp.<\/span><\/td>\n<\/tr>\n
1998-1999<\/span><\/td>\nHead of the Wooden Sculpture jury, Provincial Native Tribe Competition of Skills<\/span><\/td>\n<\/tr>\n
1999-<\/span><\/td>\nPastor of Sankuan Church, Presbyterian Church in Taiwan<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span>[\/vc_column_text][vc_column_text]Exhibition
\n<\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1991<\/span><\/td>\nArtistry via Pepers Exhibition, Howard Salon, Taipei<\/span><\/td>\n<\/tr>\n
1991<\/span><\/td>\nGeometry Series Solo Exhibition, Amerasia Bank Gallery, Flushing, New York, US RANGE, Visual Arts Gallery, New York City, US<\/span><\/td>\n<\/tr>\n
1992<\/span><\/td>\n\u00a0The Child Painter Series and Tree Paintings Series Solo Exhibition, Visual Arts Museum\/SVA Gallery, New York City, US SCHOOL OF VISUAL ARTS\u30fbGRADUATE STUDIOS Selections from the MFA Special Projects, Visual Arts Gallery, New York City, US<\/span><\/td>\n<\/tr>\n
1993<\/span><\/td>\nSpirit of Painting Series, Cai-tian Art Space, Taipei, Taiwan.<\/span><\/td>\n<\/tr>\n
1994<\/span><\/td>\nNew Vision Series Solo Exhibition, Hualien County Cultural Center, Hualien, Taiwan.<\/span><\/td>\n<\/tr>\n
1995<\/span><\/td>\nInterpretation. LIANG, Liang Gallery, Taipei, Taiwan.<\/span><\/td>\n<\/tr>\n
1996<\/span><\/td>\nLove. Life. Dignity. Solo Exhibition, Taipei Fine Arts Museum, Taipei, Taiwan.<\/span><\/td>\n<\/tr>\n
1997<\/span><\/td>\nIndigenous Culture Festival in Taipei, Beitou Museum, Taipei, Taiwan.<\/span><\/td>\n<\/tr>\n
1998<\/span><\/td>\nLove. Life. Dignity. Solo Exhibition, Taiwan Indigenous Peoples Cultural Park, Pintung, Taiwan.<\/span><\/td>\n<\/tr>\n
\u00a01999<\/span><\/td>\nFrom Canada to Taiwan: Contemporary Indigenous Art Group Exhibition, Taipei Fine Arts Museum, Taipei, Taiwan.<\/span><\/td>\n<\/tr>\n
\u00a01999<\/span><\/td>\nMiao Li International Mask Festival, Miao Li Municipal Cultural Center , Miaoli, Taiwan.<\/span><\/td>\n<\/tr>\n
\u00a02000<\/span><\/td>\nMember of The Artisan Competition Jury Solo Exhibition, Indigenous Peoples Commission, Taipei City Government<\/span><\/td>\n<\/tr>\n
\u00a02001<\/span><\/td>\nThe Ocean, the Exchange and a Dialogue on Diversity Group Exhibition, Centre Culturel de Ta\u00efwan \u00e0 Paris, Paris, France.<\/span><\/td>\n<\/tr>\n
\u00a02004<\/span><\/td>\nThe Beauty of Fabric Group Exhibition, Centre Culturel de Ta\u00efwan \u00e0 Paris, Paris, France.<\/span><\/td>\n<\/tr>\n
\u00a02007<\/span><\/td>\nAcross Oceans and Time: Art in the Contemporary Pacific, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan.<\/span><\/td>\n<\/tr>\n
\u00a02008<\/span><\/td>\n \u300cThe Great Journey in Pursuit of the Ancestral Realm, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan.<\/span><\/td>\n<\/tr>\n
\u00a02008<\/span><\/td>\nSecond Vision, National Taiwan Museum of Fine Arts, Taichung, Taiwan.<\/span><\/td>\n<\/tr>\n
\u00a02011<\/span><\/td>\nUnique Vision: Highlights from the National Taiwan Museum of Fine Arts Collection, National Taiwan Museum of Fine Arts, Taichung, Taiwan.<\/span><\/td>\n<\/tr>\n
\u00a02012<\/span><\/td>\nBeyond the Boundary: Contemporary Indigenous Art in Taiwan, Jean-Marie Tjibaou Cultural Center, Noum\u00e9a, New Caledonia<\/span><\/td>\n<\/tr>\n
\u00a02016<\/span><\/td>\n(IN)VISIBLE: The Spiritual World of Taiwan Through Contemporary Art, Museum of Anthropology at UBC, Vancouver, Canada.<\/span><\/td>\n<\/tr>\n
\u00a02016<\/span><\/td>\nHeart Tree and Spiritual Rebirth: The Art World of Anli Ganu Solo Exhibition, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan.<\/span><\/td>\n<\/tr>\n
\u00a02019<\/span><\/td>\n Tattoos\u2014Carved into the Body Group Exhibition, Kaohsiung Museum of Fine Arts and Mus\u00e9e du quai Branly \u2013 Jacques Chirac<\/span><\/td>\n<\/tr>\n
\u00a02020<\/span><\/td>\nHunters, Totems: Anli Ganu Solo Exhibition, Arts Center, NTHU<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span><\/p>\n

\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Tree Painting Series<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”3669″ img_size=”full” alignment=”center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image image=”2140″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1595154436603{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text]<\/p>\n

1992
\nOil on canvas
\n172 x 122 cm (1 piece)
\n25 x 20 cm (10 pieces)
\n<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_column_text]This is My Son, Whom I Love<\/span>[\/vc_column_text][vc_column_text]Collection of Kaohsiung Museum of Fine Arts.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_column_text]<\/p>\n

Our Song<\/span><\/p>\n

[\/vc_column_text][vc_column_text]We are singing our song, yet our mouths are sealed; we used to have innocent and happy expressions, yet now grieve is carved on our faces. For no one else could sing this song, but us. Having lost our mother tongue, our lands, our identification and dignity\u2026 It is as if we have mouths, but cannot speak, songs, but cannot sing. Yet, we remain to shout out loud and sing along together to the Song of Heaven which belongs to us.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_single_image image=”2122″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1575449572102{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text]<\/p>\n

1993
\nOil Painting 82\u00d7244cm<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image image=”2143″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1595154605259{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][vc_column width=”1\/3″][vc_column_text]Seniors<\/span>[\/vc_column_text][vc_column_text]<\/p>\n

1993
\nOil Painting 41 \u00d7 56 cm<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][\/vc_column][vc_column width=”1\/3″][vc_column_text]F-16 Leisa<\/span>[\/vc_column_text][vc_single_image image=”2141″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1595154658238{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text]<\/p>\n

1993
\nOil Painting 26 \u00d7 30.5 cm<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text]F-17<\/span>[\/vc_column_text][vc_single_image image=”2142″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1595154619594{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text]<\/p>\n

1993
\nOil Painting 26 \u00d7 30.5 cm<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”5\/6″][vc_single_image image=”2102″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/6″][vc_column_text]Paradise<\/span>[\/vc_column_text][vc_column_text]<\/p>\n

1996
\nOil Painting
\n162 \u00d7 480 cm<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”2112″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1575449479071{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text]<\/p>\n

2009
\nOil and bamboo on canvas
\n304 \u00d7 227 cm<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]My Cross<\/span>[\/vc_column_text][vc_column_text]Actually I did not paint any pictures of the cross in My Cross\u2014does it suggest that everyone should have their interpretation of what their own cross is? While this work could be rearranged by setting the several pictures closely without leaving any interstitial space\u2014then the cross disappears, and all we could see is ourselves. For I had tried to interpret the my inner cross by my own culture, background, language and knowledge. It was only until later when I discovered: the cross of Jesus Christ can only take its place in my heart when I no longer focus on myself. During their life\u2019s pursuit, many has gotten used to oppressing others and building up a superior position by abuse and hatred, they thus gradually get lost in their ego and become bogged down\u2014in the trap of self-centeredness. While the focus on oneself grows bigger, simultaneously the cross declines in one\u2019s heart and may even disappear. As for me, only love and sacrifice can bring the greatest satisfaction of my heart.<\/span>[\/vc_column_text][vc_column_text]Collection of Kaohsiung Museum of Fine Arts.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Ancestral Spirits No.1
\n<\/span><\/p>\n

[\/vc_column_text][vc_single_image image=”2137″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1595154912767{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text]<\/p>\n

2015
\nOil on canvas
\n122 \u00d7 182 cm<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Ancestral Spirits No.3
\n<\/span><\/p>\n

[\/vc_column_text][vc_single_image image=”2135″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1595154954861{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text]<\/p>\n

2016
\nOil on canvas
\n122 \u00d7 182 cm<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”2136″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1595154943174{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”2138″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1595154895020{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Through the Rainbow Bridge Together<\/span><\/p>\n

[\/vc_column_text][vc_column_text]\u201cWe will go through the rainbow bridge together!\u201d\u2014This is the bravest line in the film Seediq Bale, spoken by Mona Rudo. The Seediq warriors\u2019 resistance against Japanese aggression\u2014their inner recognition through a bleeding, painful way\u2014that they see the hope to live on through their crimson dignity and hence choose a path through \u201cthe rainbow bridge\u201d, which leads back to the place where the ancestral spirits rest. With 102 jigsaw puzzles, Anli has pieced together a rainbow bridge made with the ancestors\u2019 wisdom and the totems of life as he invites us to come along\u2026<\/span>[\/vc_column_text][vc_column_text]<\/p>\n

And a highway shall be there, and it shall be called the Way of Holiness; the unclean shall not pass over it.\u00a0It shall belong to those who walk on the way;\u00a0even if they are fools, they shall not go astray. (Isaiah 35:8)<\/span><\/p><\/blockquote>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”2117″ img_size=”full” onclick=”link_image”][vc_column_text]<\/p>\n

2016
\nMultimedia and installation
\n<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_single_image image=”2105″ img_size=”full” onclick=”link_image” css=”.vc_custom_1575449652141{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text]<\/p>\n

2006-2009
\nMultimedia\uff0dOil and iron and wood on canvas
\n612\u00d7200cm<\/span><\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text]<\/p>\n

The Huntsman\u2019s Symphony<\/span><\/p>\n

[\/vc_column_text][vc_column_text]The Huntsman\u2019s Symphony narrates the following scenes: \u201cAt the break of dawn, the huntsmen set out with their guns and hounds; all of a sudden, they detect a beast, thus the huntsmen chases after their prey closely as the barking sound of the wounds echoes in the air. As they catch up to the prey, one of the huntsmen holds his breath and gives it a fatal strike. Finally all of the tribe set up a fire for their success, they sing, dance and share the meat\u2014together it\u2019s a scene of wholesome life and satisfaction.\u201d
\nThis work portrays the joy of living and a godly attitude in the Atayal people, for singing and dancing are expressions of praise to God. The dance moves represented in the painting are actually the movements of a huntsman on his hunt, and this correlation signifies: as indigenous people go on hunts, dance and sing, simultaneously they express their love to the earth, and their reverence for God. In the point of view of the indigenous people, the the model of living which their fathers passed down, is \u201ca perfectly interwoven combination of human\u2019s living, and the land which nurtures and provides for lives.\u201d<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Video<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_video link=”https:\/\/www.youtube.com\/watch?v=pySgyKmW7GQ&feature=emb_logo”][\/vc_column][vc_column width=”1\/2″][vc_video link=”https:\/\/www.youtube.com\/watch?v=IEx83uewjZs&feature=youtu.be”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column_text][vc_empty_space][vc_separator style=”shadow”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”3658″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/2″][vc_column_text] LAI AN-LIN \/ Anli Genu\uff081958- \uff09 A Tayal native from Jianshi Township, Hsinchu County, Taiwan. Bachelor of Fine Art, Chinese Culture University Master of Divinity, Yu-Shan Theological College and Seminary Master of Fine […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-2099","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"\u7db2\u7ad9\u8a2d\u8a08","author_link":"https:\/\/goodideaart.com\/en\/author\/lynn\/"},"uagb_comment_info":0,"uagb_excerpt":"[vc_row][vc_column][vc_column_text][\/vc_column_text][vc_empty_space][vc_separator style=”shadow”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”3658″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/2″][vc_column_text] LAI AN-LIN \/ Anli Genu\uff081958- \uff09 A Tayal native from Jianshi Township, Hsinchu County, Taiwan. Bachelor of Fine Art, Chinese Culture University Master of Divinity, Yu-Shan Theological College and Seminary Master of Fine […]","_links":{"self":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/2099","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/comments?post=2099"}],"version-history":[{"count":11,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/2099\/revisions"}],"predecessor-version":[{"id":5179,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/2099\/revisions\/5179"}],"wp:attachment":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/media?parent=2099"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}