{"id":2680,"date":"2020-06-30T19:30:15","date_gmt":"2020-06-30T11:30:15","guid":{"rendered":"https:\/\/goodideaart.com\/?page_id=2680"},"modified":"2023-07-11T10:31:42","modified_gmt":"2023-07-11T02:31:42","slug":"%e6%94%9d%e5%bd%b1-%e9%a6%ae%e5%90%9b%e8%97%8d","status":"publish","type":"page","link":"https:\/\/goodideaart.com\/en\/%e6%94%9d%e5%bd%b1-%e9%a6%ae%e5%90%9b%e8%97%8d\/","title":{"rendered":"PHOTOGRAPHY-STANLEY FUNG"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column_text][vc_empty_space][vc_separator style=”shadow”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image image=”2691″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”2\/3″][vc_column_text]<\/p>\n

STANLEY FUNG\uff081961- \uff09 <\/span><\/p>\n

XieHe High School of Industry and Commerce, Department of Art.
\nTaiwan Theological College and Seminary, Th.M. <\/span><\/p>\n

[\/vc_column_text][vc_column_text]BRIEF BIOGRAPHY<\/span><\/p>\n

1961 Born in Hong Kong. Father, Fung Jia-Hao, is a preacher for the Christian Methodist Episcopal Church.
\n1964 Moves to Taiwan and settles in Chiayi after father is sent by the church. Father establishes the first Methodist Church in Chiayi.
\n1974 Participates in the Youth Fellowship at church. Receives deep insight through Bible study and faith. Repeatedly receives replies from God to prayers, and confesses to his sins. Undergoes confirmation ceremony to become a Christian.
\n1979 Enrolls in the Department of Arts and Crafts at XieHe High School of Industry and Commerce, and receives instruction in Printmaking from the sculptor, Mr. Dong Zheng-Ping.
\n1982 Takes on art design work after graduating from vocational school (excluding three years of military service). Photography exhibitions and books by the photographer, Juan I-Jong, inspire Fung to begin photography.
\n1988 Befriends photographer Chien Yung-Pin. Holds first solo photography exhibition, A Child and A Butterfly Named Alice, at Xiamen Photography Art Gallery with Chien’s encouragement and assistance.
\n1990 Registers at Toten Photography Classroom’s twelfth class, and enrolls in “Masters of Contemporary Photography and Black and White Darkroom Technique” taught by Professor Juan I-Jong.
\n2003 Receives Master’s Degree at Taiwan Theological College & Seminary.
\n2008 Ordained to priesthood.<\/span>[\/vc_column_text][vc_column_text]ABOUT PHOTOGRAPHY<\/span><\/p>\n

Stanley Fung as a creator working in Photo-Imagery Art, his vocation is a Christian clergy. More than a small hobby aside from the service to God, the work of Stanley in his own words, \u201cis part of the religious contemplation\u201d, from which he is born, and, is willing die for.<\/span><\/p>\n

The portrait work of Stanley has gone beyond the spectrum of objective depiction. These works may be seen as \u201cpoetic portrait of soul\u201d, taking Christian humanity as its foundation, and constructing a drama within a single frame, to tell a unique view of humanity. It is based on this view of humanity that each individual in his work is not an accident derived from a series of contingent coincidence in the vast universe, nor a Naked Ape, nor a subject of desire, nor cultural animal; yet a coalescence of substance and divinity \u2013 an anxious finite being endowed with eternal consciousness.<\/span><\/p>\n

Moreover, the work of Stanley reflects his interests in time and history of humanity. His time-consciousness is not a circulated close universe, but opens to the ultimate goal created by God; and history, in his view, is an obscure way in an extremely slow manner to reveal the presence of God.<\/span><\/p>\n

In addition to the portrait work, Stanley has other series: \u201cThe Word in All Thing \uff08Still-Life\uff09\u201d, \u201cMembers for One Another\u201d, \u201cMere Straw\u201d, \u201cCursive\u201d, \u201cThe Word in Forgotten Surfaces\u201d, \u201cBone of Bones\u201d and so on. Also reflects Stanley, as a Christian, his view of universe and humanity.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text]EXHIBITIONS<\/span><\/p>\n

1988 \u3000\u201cA Butterfly called Alice\u201d, solo photography exhibition, Summer Gate Photo Gallery, Taipei, Taiwan
\n1989 \u3000\u201cSeven times Seven\u201d Solo Photography Exhibition, Taipei, Taiwan
\n1995 \u3000\u201cDiscovering the Legend of the East District Multimedia Art Exhibition\u201d (curator and exhibiting artist), Eslite Art Space, Taipei, Taiwan
\n2008\u3000 \u201cBetween Fast and Slow\u201d Multimedia Art Exhibition, Art Space in National Taipei University of Technology, Taipei, Taiwan
\n2009 \u201cSaint Anonymous\u201d, Elsa Art Gallery, Taipei, Taiwan
\n2010 \u201cContemporary Photography Collections\u201d, ARTHIS FINE ART, Taichung, Taiwan
\n2011 \u201cNew Generation Photographers of Taiwan\u201d, curator H.W. Suan, MOCA Taipei, Taipei, Taiwan
\n2011 \u201cTiny Dust, Illuminated\u201d, solo photography exhibition, Arts Center, National Tsing Hua University, Hsinchu, Taiwan
\n2011 \u201cJesusFever Photo Contest\u201d, curator Isaac Xia & Kay Wu, Floor 8 Contemporary Art Space, Taipei, Taiwan
\n2011 \u201cPhoto Taipei 2011\u201d, San Want Hotel, Taipei, Taiwan
\n2012 \u201cThree Places\u201d, Joint Exhibition by Stanley Fung, Zeno Chen and Adams Chang, GALERIE PIERRE, Taichung, Taiwan
\n2012 \u201cPHOTOFAIRS Shanghai\u201d, Shanghai, China
\n2012 \u300cSpring, Art and Tea\u300d, Joint Exhibition, ArtDoor Gallery, Taipei, Taiwan
\n2012 \u201cBefore I go hence, and be no more\u201d, solo photography exhibition, ArtDoor Gallery, Taipei, Taiwan
\n2013 \u201c2013 Taipei Art Photo Show\u201d, curator H.W. Suan, Taipei expo Dome, Taipei, Taiwan
\n2013 \u201cPhotoquai 2013\u201d, Biennial of the world images, mus\u00e9e du quai Branly, Paris, France
\n2014 \u201cFloor 8 Contemporary Art Space 3th Anniversary Exhibition\u201d, Floor 8 Contemporary Art Space, Taipei, Taiwan
\n2014 \u201cTiny Dust, Illuminated\u201d, solo photography exhibition, Thermos Foundation Studio 94, Taipei, Taiwan
\n2014 \u201cTiny Dust, Illuminated\u201d, solo photography exhibition, Global Arts Center of Ying Tsai Foundation for Culture and Education, Taichung, Taiwan
\n2014 \u201cPHOTOFAIRS Shanghai\u201d, Shanghai, China
\n2014 \u201cNature\u2019s Caretaker\u201d, solo photography exhibition, ArtDoor Gallery, Taipei, Taiwan
\n2015 \u201cmembers\u201d, Multimedia Art Exhibition, Elsa Art Gallery, Taipei, Taiwan
\n2015 \u201cDUST ICON\u201d, mini solo photography exhibition, curator Xia Nan, Road of Tea, Shanghai, China
\n2015 \u201cSaint Anonymous\u201d, solo photography exhibition, inCube Arts, New York, U.S.A.
\n2015 \u201cFigures of Speech: Portraits of Fantasies\u201d, curator Karen Smith, Shanghai Center of Photography (SCoP), Shanghai, China
\n2015 \u201cMetaphors of Humbleness\u201d, Joint Exhibition by Stanley Fung and Chen-Ping Lin, Arture Beaux Arts, Taipei, Taiwan
\n2016 \u201cMan&God\u201d, curator Joseph Foo, Gallery of Giovanni DeCunto, Boston, U.S.A.
\n2016 \u201cSoften the Light Hidden in The Dust\u201d, solo photography exhibition, Xue Xue Insitute, Taipei, Taiwan
\n2016 \u201cHeaven on Earth\u201d, DongGang International Photo Festival, curator Hee Jung Kim, Dong Gang Museum of Photography, Seoul, South Korea
\n2016 \u201cMetaphors of Humbleness\u201d, solo photography exhibition, M Art Center, Shanghai, China
\n2016 \u201cPHOTOFAIRS Shanghai\u201d, Shanghai, China
\n2016 \u201c2nd Shenzhen International Photography Festival\u201d, solo photography exhibition, Dafen Art Museum, Shenzhen, China
\n2017 \u201cThe Lord\u2019s Messengers\u201d, solo photography exhibition, ShowArt, Taipei, Taiwan
\n2017 \u201cDUST ICON \u2013 THE GAZE OF A-LAN\u201d, solo photography exhibition, curator Chen Danqing, Chinese Academy of Oil Painting, Beijing, China
\n2017 \u201cDUST ICON\u201d, solo photography exhibition, M Art Center, Shanghai, China
\n2017 \u201cPHOTOFAIRS Shanghai\u201d, Shanghai, China
\n2017 \u201cART TAIPEI\u201d, Taipei, Taiwan
\n2017 \u201cTAIPEI ART PHOTO\u201d, Taipei, Taiwan
\n2017 \u201cSeven \u2013 Seeing from The Word; Seven Series of Stanley Fung\u201d, solo photography exhibition, Gallery 100, Taipei, Taiwan
\n2018 \u201cInside the Reed and Ice Crystal\u201d, Joint Exhibition by Stanley Fung & Xie Hong Dong, Arture Beaux Arts, Taipei, Taiwan
\n2018 \u201cStanley Fung and Chou Ching-Hui Exhibition\u201d, Joint Exhibition by Stanley Fung & Chou Ching Hui, FUMA Contemporary Tokyo\uff5cBUNKYO ART, Tokyo, Japan
\n2018 \u201cLight Dust\u201d, solo photography exhibition, HTC Gallery, Taipei, Taiwan
\n2018 \u201cLight Dust\u201d, solo photography exhibition, Art Center of Providence University, Taichung, Taiwan
\n2018 \u201cBone of Bones\u201d, solo photography exhibition, M Art Center, Shanghai, China
\n2018 \u201cPHOTOFAIRS Shanghai\u201d, Shanghai, China
\n2019 \u201cArt SHENZHEN\u201d, Shenzhen, China
\n2019 \u201cPHOTOFAIRS Shanghai\u201d, Shanghai, China
\n2019 \u201cWest Bund Art & Design Fair\u201d, Shanghai, China
\n2019 \u201cThe Feast of The Lamb\u201d, solo photography and installation exhibition, TSO Gallery, Taipei, Taiwan <\/span>[\/vc_column_text][vc_column_text]AWARDS<\/span><\/p>\n

Lion Art Best New Artist Award, Honorable Mention Award
\nAFGA Black and White Photography, Golden Prize
\nTaiwan International Exhibition Photography Art, Merit Award
\nMinistry of Education Photography Award, First Prize
\nTaipei City Art Award, Honorable Mention Award
\nTaiwan Fine Art Exhibition, Honorable Mention Award
\nFirst BenQ The True, The Good, and The Beautiful Art Award, Second Award
\nSecond BenQ The True, The Good, and The Beautiful Art Award, Third Award
\nEpson Color Imaging Contest, Merit Award
\n2011\u300aDUST ICON\u300b, LIFE Magazine, Excellence in Feature Photography, SOPA
\n2011\u300aAlthough the Fig Tree Shall Not Blossom\u300b, First ROC National Art Exhibition, Photography, Bronze Prize
\n2012\u300aThe Son of Gospel\u300b. Second ROC National Art Exhibition, Photography, Golden Prize
\n2013\u300aThe Lord\u2019s Handmaiden\u300b, Third ROC National Art Exhibition, Photography, Silver Prize
\n2014\u300aDUST ICON\u300b, First Photo Shanghai Modern Weekly Photography Award
\n2016\u300aDUST ICON\u300b, The 1st Juan I-Jong Humanity Award of Photography, First Prize
\n<\/span>[\/vc_column_text][vc_column_text]PUBLICATIONS<\/span><\/p>\n

2006 \u201cA seed from England: the story of Hudson Taylor\u201d, Picture Book, Cosmic Light Holistic Care
\n2016 \u201cTiny Dust, Illuminated\u201d, Photography Book, Locus Publishing Company
\n<\/span>[\/vc_column_text][vc_column_text]COLLECTION<\/span><\/p>\n

2019 \u300aMoon Night \u2013 David, the Shepherd Boy\u300b\uff0cNATIONAL CENTER OF PHOTOGRAPHY AND IMAGES, TAIPEI, Taiwan
\n2019 \u300aThe Son of Gospel\u300b\uff0cNATIONAL CENTER OF PHOTOGRAPHY AND IMAGES, TAIPEI, Taiwan
\n2019 \u300aThe Lord\u2019s Handmaiden\u300b\uff0cNATIONAL CENTER OF PHOTOGRAPHY AND IMAGES, TAIPEI, Taiwan
\n2019 \u300aSpiritual Child\u300b\uff0cNATIONAL CENTER OF PHOTOGRAPHY AND IMAGES, TAIPEI, Taiwan
\n2019 \u300aUnder the Heaven\u300b\uff0cNATIONAL CENTER OF PHOTOGRAPHY AND IMAGES, TAIPEI, Taiwan
\n2019 \u300aPearl\u300b\uff0cNATIONAL CENTER OF PHOTOGRAPHY AND IMAGES, TAIPEI, Taiwan
\n2019 \u300aTwig\u300b\uff0cNATIONAL CENTER OF PHOTOGRAPHY AND IMAGES, TAIPEI, Taiwan
\n2019 \u300aThe Fallen Morning Star\u300b\uff0cNATIONAL CENTER OF PHOTOGRAPHY AND IMAGES, TAIPEI, Taiwan
\n2019 \u300aThe Providence\u300b\uff0cNATIONAL CENTER OF PHOTOGRAPHY AND IMAGES, TAIPEI, Taiwan
\n2019 \u300aWho Forming the Cloud 1\u300b\uff0cNATIONAL CENTER OF PHOTOGRAPHY AND IMAGES, TAIPEI, Taiwan
\n2019 \u300aTwiddle Flower\u300b\uff0cNATIONAL CENTER OF PHOTOGRAPHY AND IMAGES, TAIPEI, Taiwan
\n2019 \u300aContact\u300b\uff0cNATIONAL CENTER OF PHOTOGRAPHY AND IMAGES, TAIPEI, Taiwan
\n<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”3455″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1594886936457{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text]<\/p>\n

2002 Taiwan
\n<\/span> Hahnem\u00fchle Paper &\u00a0Digital Fine Art Print
\n<\/span>100\u00d767.5cm <\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]Looking forward to the Coming of God <\/span>[\/vc_column_text][vc_column_text]\u3008Dust Icon\u3009<\/span><\/p>\n

The other day, I was reading Divine Miliue by Pierre Teilhard de Chardin (1881-1955 a French philosopher, Jesuit Priest , trained paleontologist) and here is an excerpt of his writing that moved my heart: <\/span><\/p>\n

\u201cI took the lamp, and leaving the zone of everyday occupations and relationships where everything seemed clear, I went down into my inmost self, to the deep abyss whence I feel dimly that my power of action emanates. But as I moved further and further away from conventional certainties by which social life is superficially illuminated, I became aware that I was losing contact with myself. At each step of the descent a new person was disclosed within me of whose name I was no longer sure, and who no longer obeyed me. And when I had to stop my exploration because the path faded from beneath my steps, I found a bottomless abyss at my feet… At that moment… I felt the distress characteristic of a particle adrift in the universe, the distress which makes human wills founder daily under the crushing number of living things and stars. And if someone saved me, it was hearing the voice of the Gospel… speaking to me, from the depth of the night: It is I, be not afraid.\u201d<\/span><\/p>\n

Teillard de Chardin testified to the Holy Spirit within and without my body which has become one with the gospel of Jesus Christ.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text]<\/p>\n

The Prepared Virgin<\/span><\/p>\n

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\u3008Dust Icon\u3009<\/span><\/p>\n

In the Parable of Ten Virgins, Jesus tells a story about a group of 10 virgins or bridesmaids chosen to participate in a wedding. Each of them is carrying a lamp as they await the coming of the bridegroom, but only five are wise enough to bring extra oil for their lamps in case they must wait longer than anticipated. In the middle of the night, when the bridegrooms shows up, the five unprepared virgins are left behind while the other five accompany the bridegroom to the wedding. Jesus Christ used this parable to remind people to always be prepared by living their lives to the fullest so when the time comes, they can be with God for eternity.
\n<\/span><\/p>\n

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2008 Taiwan
\nHahnem\u00fchle Paper & Digital Fine Art Print 100\u00d767.5cm<\/span><\/span><\/p>\n

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2010 Taiwan
\nHahnem\u00fchle Paper &\u00a0Digital Fine Art Print
\n100\u00d767.5cm<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_column_text]Moon Night – David, the Shepherd Boy<\/span>[\/vc_column_text][vc_column_text]\u3008Dust Icon\u3009<\/span><\/p>\n

David was the greatest king in the history of Israel. But even at the peak of his reign, his jurisdiction was no larger than the size of Taiwan and by far smaller than the conquests by Alexander the Great. However, more people have named their offsprings David than Alexander. This was a result when Judaism and Christianity became the mainstream religion in the world. Before his anointment as king by the Prophet Samuel, David was a young shepherd. But moreover, he was a poet whose poems, although not always eloquent, were inspired by the Holy Spirit. His poems fully demonstrate the depth of one\u2019s faith and beliefs. <\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text]<\/p>\n

Tiny Dust<\/span><\/p>\n

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\u3008Dust Icon\u3009<\/span><\/p>\n

On one wintry morning, as I sat in the garden, I held my face up to feel the gentle caress of the sun. As the colorful rays danced across my eye lashes, I noticed the tiny particles waltzing in the air. Under the sun, these particles glistened with beauty. Their graceful steps and elegant moves touched me deeply. From my heart, I praised God that even as something as tiny as air particles have the honor to be graced by His love.<\/span><\/p>\n

In the second chapter in the Book of Genius, it records a simply yet meaningful parable. When God created Adam (mankind), He was like a potter who made man a living soul after He formed him out of the dust on the ground and breathed into his nostrils the breath of life. This implies that man is the combined creation of matters and God\u2019s spirit. Although human beings are mere particles, they are shiny particles that reflect the glory of God.<\/span><\/p>\n

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2010 Taiwan
\nHahnem\u00fchle Paper & Digital Fine Art Print
\n100\u00d767.5cm\u00a0<\/span><\/span><\/p>\n

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2011 Taiwan
\nHahnem\u00fchle Paper &\u00a0Digital Fine Art Print
\n100\u00d767.5cm\u00a0<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_column_text]Mary, the Virgin<\/span>[\/vc_column_text][vc_column_text]\u3008Dust Icon\u3009<\/span><\/p>\n

The story began with a 13-to-14-year old village girl named Mary who got pregnant in an unmarried status. In Palstine of 2000 years ago, it was lucky to escape the lynching execution from the family elder due to her actions that shamed her family. It was unexpected that the girl became Goddness, Ave Maria who had been paid tribute by billions of Catholics. What is the reason? Is that her baby is the Holy Christ? Or that the baby will become the savior of human beings? Or that the expansion of her followers contributes to the brilliant Christian civilization? Or that her gentle beauty coincides with the Lord\u2019s paternal image? All of the above are the answers. However, I think it accounts for more that Mary obeys the will of God and understands the pain, deficiency and expectation of the world when seeing the son of God becoming the scapegoat on the cross and being maltreated inhumanly.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_column_text]<\/p>\n

Miriam<\/span><\/p>\n

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\u3008Dust Icon\u3009<\/span><\/p>\n

Miriam was firstly read in the Bible when Ancient Egyptians implemented the cruel policy of slaughtering baby boys in order to decrease the domestic slave birth rate in Hebrew. As an elder sister, Miriam put her little brother Moses who could no longer be hidden into a rush basket under her parents\u2019 command. He was discarded into the reed alongside the riverbank, submitted to the will of God. However, it was unexpected that he was picked up and raised by the kind Egyptian Princess. <\/span><\/p>\n

When Moses grew up, he was finally chosen to be the liberator who has saved Hebrews from slavery in Egypt after many twists and turns. When the Lord continuously brought down disasters to Egypt, the Egyptian Pharaoh was forced to allow Moses to lead Hebrews to leave the country. However, the Pharaoh was inconsistent in his words and sent army to hunt them. At this crucial moment, God asked Moses to stretch out his hand over the sea so that the Red Sea can be divided into two parts and a dry land showed up. Finally, Hebrews had a narrow escape from death. Afterwards, Miriam who was endowed with Prophetess led Hebrew women to cheer up the success.<\/span><\/p>\n

In this photograph, I take Miriam dancing with leaf cheongsam to express the critical and leading role that female play in emancipating the slaved nature, ecological conservation, as well as energy saving.<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_single_image image=”3443″ img_size=”full” onclick=”link_image” css=”.vc_custom_1594887061852{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text]<\/p>\n

2014 Taiwan
\nHahnem\u00fchle Paper &\u00a0Digital Fine Art Print
\n100\u00d767.5cm<\/span><\/span><\/p>\n

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2014 Taiwan
\nHahnem\u00fchle Paper \/ Digital Fine Art Print
\n100\u00d7150cm\u00a0<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Who Forming the Cloud 1<\/span><\/p>\n

[\/vc_column_text][vc_column_text]\u3008Members for One Another\u3009<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Mere Straw 5<\/span><\/p>\n

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\u3008Mere Straw\u3009
\n<\/span><\/p>\n

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2014 Taiwan
\nHahnem\u00fchle Paper \/ Digital Fine Art Print
\n100\u00d767.5cm\u00a0<\/span><\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”2718″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1593596144821{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text]<\/p>\n

2018 Taiwan
\nHahnem\u00fchle Paper \/ Digital Fine Art Print
\n67.5\u00d7100 cm<\/span><\/span><\/p>\n

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Every Morning<\/span><\/p>\n

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\u3008Bone of Bones\u3009<\/span><\/p>\n

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The Feast of the Lamb 2<\/span><\/p>\n

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\u3008The Word in All Things\u3009<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_single_image image=”2721″ img_size=”full” onclick=”link_image” css=”.vc_custom_1593596374249{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][vc_column_text]<\/p>\n

2019 Taiwan
\nHahnem\u00fchle Paper \/ Digital Fine Art Print
\n70\u00d7200cm <\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Video<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n