{"id":2994,"date":"2020-07-05T11:34:59","date_gmt":"2020-07-05T03:34:59","guid":{"rendered":"https:\/\/goodideaart.com\/?page_id=2994"},"modified":"2023-07-11T10:11:23","modified_gmt":"2023-07-11T02:11:23","slug":"%e7%b9%aa%e7%95%ab-%e7%8e%8b%e5%85%ac%e6%be%a4","status":"publish","type":"page","link":"https:\/\/goodideaart.com\/en\/%e7%b9%aa%e7%95%ab-%e7%8e%8b%e5%85%ac%e6%be%a4\/","title":{"rendered":"PAINTING GON-JER, WANG"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column_text][vc_empty_space][vc_separator style=”shadow”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image image=”2997″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column][vc_column width=”2\/3″][vc_column_text]GON-JER, WANG\uff081971- \uff09
\n<\/span><\/p>\n\n\n\n\n\n\n
1990<\/span><\/td>\nGraduated from Fu-Hsin Trade and Arts School \/ Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
1995<\/span><\/td>\nDiploma if Fine Art (Hons) OCAD University \/ Toronto, Canada
\nSelected for exchange at the Florence Art Studio and studied 1 year at Degli Uffizi, Uffizi Gallery\u2019s Sketch Research Center<\/span><\/td>\n<\/tr>\n
1996<\/span><\/td>\nMaster of Fine Art Fontbonne University \/ St. Louis, USA<\/span><\/td>\n<\/tr>\n
2009<\/span><\/td>\nDoctor of Fine Art Auckland University \/ Auckland, New Zealand<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span>[\/vc_column_text][vc_column_text]EXPERUENCE
\n<\/span><\/p>\n\n\n\n\n\n\n\n\n\n
1995<\/span><\/td>\nFontbonne University, USA Assistant Lecturer<\/span><\/td>\n<\/tr>\n
1996-2005<\/span><\/td>\nFu-Hsin Trade and Arts School Lecturer<\/span><\/td>\n<\/tr>\n
1997-2005<\/span><\/td>\nAletheia University, National Chung Cheng University, National Open University, LongHwa University of Science and Technology, Ching Kuo Institute of Management and Health, Ming Chuan University, Jinwen University of Science and Technology Part-time lecturer<\/span><\/td>\n<\/tr>\n
2009<\/span><\/td>\nMing Chuan University Assistant Professor<\/span><\/td>\n<\/tr>\n
2012<\/span><\/td>\nHungkuang University Assistant Professor<\/span><\/td>\n<\/tr>\n
2010-2020<\/span><\/td>\nChienkuo Technology University Full-time Assistant Professor<\/span><\/td>\n<\/tr>\n
2020<\/span><\/td>\nTainan University of Technology Full-time Assistant Professor<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]AWARDS & GRANTS<\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1988<\/span><\/td>\nWon multiple awards from Provincial Fine Art exhibition, Taiyang Art Exhibition, Nanying Art Award, National Oil Painting Award, North Counties Art Exhibition, Kaohsiung City Art Exhibition, Tainan City Art Exhibition, National Art Exhibition<\/span><\/td>\n<\/tr>\n
1988<\/span><\/td>\nWon the 12th National Youth Watercolor Sketch Competition<\/span><\/td>\n<\/tr>\n
1989<\/span><\/td>\nWon Gold Lion Award at National Guanghua Lions Clubs International Youth Sketch Competition<\/span><\/td>\n<\/tr>\n
1989<\/span><\/td>\nWon the 13th National Youth Watercolor Sketch Competition<\/span><\/td>\n<\/tr>\n
1990<\/span><\/td>\nWon Quality Award at the 6th Kaohsiung City Painting Exhibition<\/span><\/td>\n<\/tr>\n
1992<\/span><\/td>\nWon Bronze Lion Award at National Guanghua Lions Clubs International Youth Sketch Competition<\/span><\/td>\n<\/tr>\n
1994<\/span><\/td>\nWon John Alfsen Scholarship, OCAD University, Canada<\/span><\/td>\n<\/tr>\n
1997<\/span><\/td>\nWon the 86th National Cultural and Art Foundation Exhibition Grant<\/span><\/td>\n<\/tr>\n
1997<\/span><\/td>\nWon the 9th Chimei Art Talent Training Award<\/span><\/td>\n<\/tr>\n
\u00a01998<\/span><\/td>\nWon the 87th National Cultural and Art Foundation Art Creation Grant<\/span><\/td>\n<\/tr>\n
\u00a01999<\/span><\/td>\nWon the 9th International Printmaking Biennale<\/span><\/td>\n<\/tr>\n
\u00a02001<\/span><\/td>\nWon First prize of Pingin Tea Festival Award<\/span><\/td>\n<\/tr>\n
\u00a02002<\/span><\/td>\nSelected by the Zhu Ming Art Museum Art Award<\/span><\/td>\n<\/tr>\n
\u00a02004<\/span><\/td>\nQuality Award for the 2nd National Art Education Teaching Design (High School Division)<\/span><\/td>\n<\/tr>\n
\u00a02004<\/span><\/td>\nWon 93rd National Youth Collection Award by Council for Cultural Affairs, Executive Yuan<\/span><\/td>\n<\/tr>\n
\u00a02006<\/span><\/td>\nWon the National Cultural and Art Foundation of the 95th Art Creation Grant<\/span><\/td>\n<\/tr>\n
\u00a02008<\/span><\/td>\nReceived the 97th Taipei City Government Cultural Art Exhibition Grant<\/span><\/td>\n<\/tr>\n
\u00a02009<\/span><\/td>\nAwarded by the University of Auckland Performance-Based Research Fund (PBRF)<\/span><\/td>\n<\/tr>\n
\u00a02013<\/span><\/td>\nWon the Collection Plan of Taiwan Art Bank<\/span><\/td>\n<\/tr>\n
\u00a02015<\/span><\/td>\nWon the Collection Plan of Taiwan Art Bank<\/span><\/td>\n<\/tr>\n
\u00a02016<\/span><\/td>\nWon the Collection Plan of Taiwan Art Bank<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”3003″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/6″][\/vc_column][vc_column width=”5\/6″][vc_column_text]A Segment of Time and Space<\/span><\/p>\n

When one studies the development of fine art painting history, it may be easy to conclude that all forms both imaginable and unimaginable have seemingly been covered to date and expressed through works. In addition, there are opinions that declare fine art painting as an art form has reached its end, mostly due to the notion that there isn\u2019t a steady release of new work that can amaze and astonish viewers while pushing the boundary of painting. \u00a0Some even believe that Fine Art Painting is an outdated and irrelevant art form at present time.<\/span><\/p>\n

However, observing the progression of fine art field currently, one can argue the “Finite History of Fine Art Painting” is not actually over but is continually evolving. \u00a0The focus of the modern day painters is shifted from merely developing new painting vocabulary to creating work that reflect their individual place in time, and their perception of world – by drawing from the the vast and rich vocabularies developed in the past.<\/span><\/p>\n

As a Fine Artist, one should not blindly follow the art market demands or trends, as it is a trap. \u00a0As well, one should keep a critical eye on contemporary art, measuring against the \u201czeitgeist\u201d ideology. \u00a0At the same time, the artist should keep an open-minded approach, not limiting oneself by specific art form, techniques or vocabulary in order to create living works – the true sentient creativity.<\/span><\/p>\n

An artist’s aesthetic comes from the creative experience itself, it is the immediate expression of an individual\u2019s perceived reality, injecting one\u2019s aesthetic into works. \u00a0This in turn inspires fresh artistic expression, overcoming the challenge of painting in this era of pictures, and enables one to explore new paths of painting.<\/span><\/p>\n

For the progression of my work since \u201cPoetic Experience\u201d, Auckland 2006 to the “Time and Space Series” , 2019, my work can be understood from three aspects of creative approach and path.<\/span><\/p>\n

1. The C\u00e9zanne Inspired<\/span><\/p>\n

Painters who subscribe to the Paul C\u00e9zanne style pay close attention on the relationship between shapes in their work. \u00a0This produces work with both impeccable holistic structure and contains rhythmic elements that draw focus and attention.<\/span><\/p>\n

From Cubism to Piet Cornelies Mondrian, there is a pursuit of truth and eternity by means of analysis and simplification, thus emerged a new set of methods for expressing the order and qualities of nature.<\/span><\/p>\n

As a second generation of the Parisian school who took up this path, Helena VieIra Da Silva continued to explore the representation of nature and urban landscapes, toying with the idea of space perception by creating a false perception of space.<\/span><\/p>\n

With a humble attitude, Giorgio Morandi quietly observed ordinary still life, showing the subtle metaphysical realm of simplicity, conveying implicit and secret nature and tranquility with unobtrusive yet rich grayscale tones.<\/span><\/p>\n

With the approach of continuous drawing and erasing elements, Alberto Giacometti meticulously explored the construct and deconstruction of objects, chasing the absolute realism that can never be obtained between physical and the surreal world.<\/span><\/p>\n

2. The Chinese Ink System<\/span><\/p>\n

The art of ink and wash has sublimated into a type of spiritual connotation, and I have applied such ink painting vocabularies, such as its State of Mind, Rhythmic Vitality and brushwork, seamlessly into oil painting works.<\/span><\/p>\n

State of Mind is the realm of visual space and beauty created by deep thoughts and emotions. Rhythmic Vitality is the rhythm of life, the transformation of the universe and its rhythm of movement. \u00a0The Inner Beauty of Chinese Brush Work is a manifestation of sensual intention which reflects the artist\u2019s own character, essence and style. \u00a0It is the direct intuition, experience and feelings towards the universe and life. \u00a0These unique cultural traditions from ink painting is a valuable connotation that distinguishes us from the Western style of approach.<\/span><\/p>\n

3. Belief<\/span><\/p>\n

The natural world runs endlessly according to the order of creation. \u00a0The inner roots of creation must be bound to the artist\u2019s core values \u200b\u200b(beliefs). \u00a0Through Bible reading, praying and meditation on unification with God, these experiences enable me to enter a state of selfless intrinsic inner viewing experience, and become more sensitive to the rhythm of the visual space, to understand the wonderful creation of God and to pursue true essence and eternal value. \u00a0One needs to acknowledge their own shortcomings in order to continue to discover and perceive new things from nature.<\/span><\/p>\n

Abstract art is a form of capturing one\u2019s deep internal state, which has strict evaluation standards in an artist\u2019s own expectations and process of practice itself. \u00a0This whole process must be repeatedlyrefined in order to produce the purest uncontaminated transcendent result.<\/span><\/p>\n

Through the perception of the external world and inner emotions, this self-consciousness is integrated into the works, using lively styles and seasoned color senses, transcendental and rational dialectic, combining Chinese and Western philosophy and artistic vocabulary of nature, repeated work refining, intertwining, ruminating and liberating from history, all in hope to grasp the rhythm of life and nature.<\/span><\/p>\n

Remaining outside of the mainstream, and taking my own path, to achieve art that celebrates life itself. \u00a0The style of abstract art in history has become a classic, but the rigid cage of formal and prevalent concept has also restrained the development of abstract art.<\/span><\/p>\n

Returning to the real world – and through honest life experience, seeking ways to connect art and life. \u00a0Also drawing from the well of one\u2019s core, abstract painting can bring forth new meanings.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/6″][\/vc_column][vc_column width=”5\/6″][vc_column_text]SOLO EXHIBITIONS
\n<\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1996<\/span><\/td>\nThe Series of Embracing the Future \/ St. Louis Chinese Culture Centre \/ St, Louis. USA<\/span><\/td>\n<\/tr>\n
1997<\/span><\/td>\nThe Series of Embracing the Future \/ Tai Chong Culture Centre \/ Taichung, Taiwan<\/span><\/td>\n<\/tr>\n
1998<\/span><\/td>\nThe Series of Embracing the Future \/ Kuo Mu Sheng Foundation Art Centre \/ Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
1999<\/span><\/td>\n\u201cVisualization of Personal Touch by the Spirit\u201d, The Taipei Society Education Centre \/ Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
2000<\/span><\/td>\nVisualization of Personal Touch by the Spirit \/ The Taipei Society Education Centre \/ Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
2003<\/span><\/td>\nVisualization of Personal Touch by the Spirit \/ Taipei County Culture Centre Art Gallery \/ Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
2004<\/span><\/td>\nVisualization of Personal Touch by the Spirit \/ Taipei County Culture Centre Art Gallery \/ Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
2005<\/span><\/td>\nVisualization of Personal Touch by the Spirit \/ 99 Degree Art Centre \/ Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
2005<\/span><\/td>\nVisualization of Personal Touch by the Spirit \/ Stanbeth House Gallery \/ Auckland, New Zealand<\/span><\/td>\n<\/tr>\n
\u00a02008<\/span><\/td>\n Exposition with Painting of Obscurity in Poetry \/ Auckland, New Zealand<\/span><\/td>\n<\/tr>\n
\u00a02009<\/span><\/td>\n Poetic Experience \/ 99 Degree Art Centre \/ Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
\u00a02010<\/span><\/td>\n Spiritual State and Poetic Mind \/ National Tsing Hua University Art Centre\/ Hsinchu, Taiwan<\/span><\/td>\n<\/tr>\n
\u00a02011<\/span><\/td>\n Divine Light Wang Gon-Jer & Chang Fu-Chian Duo-Solo \/ Fu\u2019s Art Space \/ Miaoli, Taiwan<\/span><\/td>\n<\/tr>\n
\u00a02012<\/span><\/td>\n Visible & Invisible \u2013 Wang Gon-Jer\u2019s Art\/ Sincewell Gallery \/ Kaohsiung, Taiwan<\/span><\/td>\n<\/tr>\n
\u00a02012<\/span><\/td>\n Wang Gon-Jer\u2019s Drawings \u2013 The 44 Sections of Nature \/ Providence University Art Centre \/ Taichung, Taiwan<\/span><\/td>\n<\/tr>\n
\u00a02014<\/span><\/td>\n Returning to Scenery \u2013 Fusion of Nature and Spirit \/ Dadun Cultural Centre \/ Taichung, Taiwan.<\/span><\/td>\n<\/tr>\n
\u00a02014<\/span><\/td>\n Returning to Scenery \u2013 Fusion of Nature and Spirit \/ New Taipei City Arts and Culture Centre Art Gallery \/ New Taipei City, Taiwan<\/span><\/td>\n<\/tr>\n
\u00a02016<\/span><\/td>\n The Barren of Tranquillity \u2013 Wang Gon-Jer & Wang Da-Ren Duo-Solo \/ House+Cafe since 1910 \/ Taoyuan<\/span><\/td>\n<\/tr>\n
\u00a02016<\/span><\/td>\n The Vibrating Universe & Divine Light \u2013 Wang Gon-Jer & Tai Chia-Jwu Duo-Solo \/ Artnutri Gallery \/ Miaoli, Taiwan<\/span><\/td>\n<\/tr>\n
\u00a02017<\/span><\/td>\n The Rhythm of Space and Time \/ Industrial Technology Research Institute, Arts and Cultural Space \/ Hsinchu, Taiwan<\/span><\/td>\n<\/tr>\n
\u00a02018<\/span><\/td>\n Spiritual Mystery \/ IsFound Art Space \/ Kaohsiung, Taiwan<\/span><\/td>\n<\/tr>\n
\u00a02019<\/span><\/td>\n The Invisible Rhythm \/ ARTDOOR \/Taipei<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span>[\/vc_column_text][vc_column_text]JOINT EXHIBITIONS<\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2019<\/span><\/td>\nArt Family Joint Exhibition \/ Taipei Social Education Centre \/ Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nArt Future Art Fair \/ Hotel Proverbs \/ Taipei<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nContemporary Abstract Art of Taiwan Exhibition II-The Secret of Nature \/ GSA Gallery \/ Taichung<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nContemporary One-Year Exhibition \/ Taipei Expo Park \/ Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nKaohsiung Art Expo \/ City Suites \u2013 Kaohsiung Chenai \/ Kaohsiung<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nQuenching and Refining-Baizheng Steel Taiwan Contemporary Art Exhibition \/ Yokohama Civic Art Gallery \/ Yokohama<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nShanghai City Art Expo-AArt \/ Room307 \/ Luxury Collection Hotel \/ Shanghai<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nSplendid Kingdom O Esplendido Reino Christian Visual Arts Exhibition \/ Macao Education Center \/ Macau<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nTaichung Art Fair \/ Millennium Hotel \/ Room 1012 \/ Taichung<\/span><\/td>\n<\/tr>\n
\u00a02019<\/span><\/td>\n Tainan Art Fair \/ Room 818 \/ Tayih Landis Hotel \/ Tainan<\/span><\/td>\n<\/tr>\n
\u00a02019<\/span><\/td>\n Wandering in the gaze-\u201cEnvironmental Concept\u201d Group of Four Exhibition \/ M Gallery \/ Taipei<\/span><\/td>\n<\/tr>\n
\u00a02020<\/span><\/td>\n Invited to participate in the New Taipei City Artists Exhibition \/ New Taipei City Cultural Bureau Tucheng Art Museum \/ New Taipei City, Taiwa2019<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”3005″ img_size=”full” onclick=”link_image” css=”.vc_custom_1593929838366{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][vc_column width=”1\/2″][vc_column_text]The Poetry of Pine 06-2<\/span>[\/vc_column_text][vc_column_text]<\/p>\n

2006
\noil on canvas 53\u00d753 cm <\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

The Tranquil Barren 14-5<\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

2014
\noil on canvas 70\u00d770cm <\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”3007″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1593932265278{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_single_image image=”3015″ img_size=”full” onclick=”link_image” css=”.vc_custom_1593932860569{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][vc_column width=”1\/3″][vc_column_text]<\/p>\n

The Rhythm of Time and Space 16-3 (yellow)<\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

2016-2019
\noil on canvas 91\u00d7195cm
\n<\/span><\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

The Rhythm of Time and Space 16-5<\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

2016-2019
\noil on canvas 115\u00d7115cm <\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”3011″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1593932577632{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”3013″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1593932689806{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][vc_column width=”1\/2″][vc_column_text]The Rhythm of Time and Space 16-6<\/span>[\/vc_column_text][vc_column_text]<\/p>\n

2016-2019
\n<\/span> oil on canvas 115\u00d7115cm <\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

The Rhythm of Time and Space 16-9<\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

2016-2019
\noil on canvas 115\u00d7115cm
\n<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”3009″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1593932480341{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”3019″ img_size=”full” onclick=”link_image” css=”.vc_custom_1593933036292{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Life’s consciousness of time 18-1<\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

2018
\noil on canvas 115\u00d7115cm <\/span><\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Life’s consciousness of time 18-5<\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

2018
\noil on canvas 91\u00d7117cm <\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”3016″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1593932891104{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”3021″ img_size=”full” alignment=”center” onclick=”link_image” css=”.vc_custom_1593933142136{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][vc_column width=”1\/2″][vc_column_text]Life’s consciousness of time 18-7<\/span>[\/vc_column_text][vc_column_text]<\/p>\n

2018
\noil on canvas 91\u00d7117cm <\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Invisible Vision 19-1<\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

2019
\n52\u00d776cm <\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”3024″ img_size=”full” onclick=”link_image” css=”.vc_custom_1593933251012{margin-bottom: 0px !important;border-bottom-width: 0px !important;padding-bottom: 0px !important;}”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator style=”shadow”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/5″][\/vc_column][vc_column width=”1\/5″][\/vc_column][vc_column width=”1\/5″][vc_btn title=”GON-JER,WANG PERSONAL WEBSITE” style=”outline” color=”purple” size=”lg” align=”center” button_block=”true” link=”url:https%3A%2F%2Fgonjerwang.com%2F||target:%20_blank|”][\/vc_column][vc_column width=”1\/5″][\/vc_column][vc_column width=”1\/5″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column_text][vc_empty_space][vc_separator style=”shadow”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image image=”2997″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column][vc_column width=”2\/3″][vc_column_text]GON-JER, WANG\uff081971- \uff09 1990 Graduated from Fu-Hsin Trade and Arts School \/ Taipei, Taiwan 1995 Diploma if Fine Art (Hons) OCAD University \/ Toronto, Canada Selected for exchange at the Florence Art Studio […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-2994","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"\u7db2\u7ad9\u8a2d\u8a08","author_link":"https:\/\/goodideaart.com\/en\/author\/lynn\/"},"uagb_comment_info":0,"uagb_excerpt":"[vc_row][vc_column][vc_column_text][\/vc_column_text][vc_empty_space][vc_separator style=”shadow”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_single_image image=”2997″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column][vc_column width=”2\/3″][vc_column_text]GON-JER, WANG\uff081971- \uff09 1990 Graduated from Fu-Hsin Trade and Arts School \/ Taipei, Taiwan 1995 Diploma if Fine Art (Hons) OCAD University \/ Toronto, Canada Selected for exchange at the Florence Art Studio […]","_links":{"self":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/2994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/comments?post=2994"}],"version-history":[{"count":11,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/2994\/revisions"}],"predecessor-version":[{"id":10179,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/2994\/revisions\/10179"}],"wp:attachment":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/media?parent=2994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}