{"id":5635,"date":"2021-09-14T13:57:56","date_gmt":"2021-09-14T05:57:56","guid":{"rendered":"https:\/\/goodideaart.com\/?page_id=5635"},"modified":"2021-10-04T10:01:50","modified_gmt":"2021-10-04T02:01:50","slug":"%e5%8f%b0%e6%98%9f%e6%83%85-%e5%8f%b0%e7%81%a3-%e4%bc%8a%e8%aa%95%e5%b7%b4%e7%93%a6%e7%93%a6%e9%9a%86","status":"publish","type":"page","link":"https:\/\/goodideaart.com\/en\/%e5%8f%b0%e6%98%9f%e6%83%85-%e5%8f%b0%e7%81%a3-%e4%bc%8a%e8%aa%95%e5%b7%b4%e7%93%a6%e7%93%a6%e9%9a%86\/","title":{"rendered":"Taiwan Etan Pavavalung"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”64px”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5636″ img_size=”medium” onclick=”link_image”][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

\n
\n

Etan Pavavalung\uff081963- \uff09 <\/span><\/p>\n

Master Graduated from Department of Theology of the Tainan Theological Collage and Seminary
\nMaster of Fine Arts Institute, National Kaohsiung Normal University <\/span><\/p>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_column_text]AWARDS<\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n
2007<\/span><\/td>\nTaiwan Indigenous Television \/ See the original world collection \/ Second Price \u3008Tavadran\u2019s Winding Road\u3009<\/span><\/td>\n<\/tr>\n
2012<\/span><\/td>\nAlbum\u3008Brothers Who Sing of Love and Longing\u300923rd Traditional and Artistic Music Golden Melody Award Best Traditional Music Interpretation Award<\/span><\/td>\n<\/tr>\n
2012<\/span><\/td>\nBook\u3008Children of the Land the Sun\u3009Won the Excellent Art Publication of the 2nd National Elementary and Middle Schools of the National Taiwan Art Education Museum<\/span><\/td>\n<\/tr>\n
2012<\/span><\/td>\n\u00a0First Pulima art Award \/ Preferred \/ Taiwan<\/span><\/td>\n<\/tr>\n
2013<\/span><\/td>\n\u00a0Book \u3008The Wild Boar Furu\u3009Selected for the<\/span><\/td>\n<\/tr>\n
2014<\/span><\/td>\nAFCC Singapore Children\u2019s Book Festival \u201cIllustrator Gallery\u201d<\/span><\/td>\n<\/tr>\n
2018<\/span><\/td>\nBook \u3008Tawny Fish-Owl and the River\u3009Selected for the 2018 Bologna Book Fair in Italy<\/span><\/td>\n<\/tr>\n
2018<\/span><\/td>\n\u00a0Book \u3008Tawny Fish-Owl and the River\u3009Won the recommendation of excellent extracurricular reading materials for elementary and middle school students of the Ministry of Culture of the Executive Yuan<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Etan Pavavalung<\/span><\/p>\n

Etan Pavavalung is a Paiwanese artist born in Davalan Village, Pingtung County, Taiwan.<\/span><\/p>\n

Etan\u2019s artworks are multi-dimensional, including poetry, prose, graphic design, painting, illustration for children books, engraving, installation and video work. He is also a documentary film director. \u00a0By way of documentaries such as \u201cShe with the Patterned Hands\u201d, \u201cHands that Tell Tales of the Mountains\u201d, \u201cBrothers Who Sing of Love and Longing\u201d, \u201cThe Fragrant Mountain Winds\u201d, \u201cMountain Tribe and Sea Tribe\u201d, Etan tries to create an alternative aboriginal visual aesthetic juxtaposed with a literary poetic perspective.<\/span><\/p>\n

In his visual artwork, Etan excels at detailed and expressive painting to deliver his\u00a0literary views and contemporariness. \u00a0The innovative visual art form he developed, \u201cTrace Layer Carve Paint\u201d, has been exhibited at the National Taiwan Museum of Fine Arts, Taipei Fine Arts Museum and Pingtung Arts Museum. \u00a0He takes for inspiration the sustainable \u2018trace\u2019 that is hidden in the land, mountains, and nature and the repetitive \u2018layers\u2019 of slate houses that constitute the texture of civilization. \u00a0He then \u2018carves\u2019 out patterns and lines with chisels, and \u2018paints\u2019 with the colors that change with the seasons. \u00a0His artwork connects with ancient aboriginal wisdom and converses with Christian ecotheology while searching for internal harmony and artistic thinking in rebirth. <\/span>[\/vc_column_text][vc_column_text]Etan’s \u201cTrace Layer Carve Paint\u201d<\/span><\/p>\n

There is a Paiwan term, vecik, that can be approximately translated to \u201cwriting\u201d. Vecik is the root of ve-ne-cik, which in the Paiwan language refers to symbols, embroidery, and engraving, all age-old methods that have been employed by the indigenous peoples of Taiwan to “write”. \u00a0Ve-ne-cik proves its cultural vitality through livelihood-related objects such as ornaments and utensils, embroidery on clothing and headdresses, and wood and slate carvings. \u00a0Vecik also refers to the eye totem, which often appears on clothing, carvings, and other visual mediums.<\/span><\/p>\n

After Typhoon Morakot in 2009, Etan felt that the affected Indigenous communities in southern Taiwan needed to create a form of \u201cmodern writing\u201d to rebuild everyday tribal aesthetics. \u00a0Since the typhoon, \u201ctrace, layer, carve and paint\u201d has been the focus of his artistic vision. \u00a0It is hoped that the style of \u201ctrace, layer, carve, paint\u201d not only presents a new visual art form but more importantly, impacts on the way that we learn to hear the Earth and its breath, the wind, and comprehend vecik in life and aesthetics.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]SOLO EXHIBITIONS<\/span><\/p>\n\n\n\n\n\n
2018<\/span><\/td>\nReading Sa-Qati \/ National Chiao Tung University \/ Hsingchu Taiwan<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nExplore \/ Mozart Gallery \/ Tokyo Japan<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nThinking in Nature \/ Darwin Visual Art \/ Darwin Australia<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]JOINT EXHIBITIONS<\/span><\/p>\n\n\n\n\n\n\n\n\n
2018<\/span><\/td>\npakialalang Decorated road \u2013 Pavavaljung Family exhibition \/ Pingtung Sandimen Township Cultural Center \/ Pingtung Taiwan<\/span><\/td>\n<\/tr>\n
2018<\/span><\/td>\nA Beast, a god ,and a line \/ Kunsthall Trondheim Para Site \/ Norway<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nCrossing the Cattle Bull Ditch- Art Festival on the Slope \/ Silin Forest Park \/ Pingtung Taiwan<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nWhen Kacalisian Culture Meets the Vertical City-Contemporary Art from Greater Sandimen \/ Pingtung Taiwan<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\nWhen Kacalisian Culture Meets the Vertical City-Contemporary Art from Greater Sandimen \/ Sun Yat-Sen Memorial Hall \/ Taipei Taiwan<\/span><\/td>\n<\/tr>\n
2020<\/span><\/td>\nFuturist Wave \u2013 Contemporary Art from Greater Sandimen \/ Pingtung Taiwan<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”5637″ img_size=”full” onclick=”link_image”][vc_column_text]<\/p>\n

Meeting in that Forest<\/span>
\n2017<\/span>
\nWooden boards, prints, acrylic paints<\/span>
\n80\u00d7240\u00d74cm<\/span><\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

I pray that when I wake up<\/span>
\nI can touch a sky called innocence<\/span><\/p>\n

I hope that when it\u2019s dawn<\/span>
\nI can ride the wind to discover an earth called eternity<\/span><\/p>\n

In serenity, there\u2019s breathing of the heart<\/span>
\nThere lies absolute purity<\/span>
\nIn tranquility, there\u2019s the gaze of life<\/span>
\nThere lies the path of the wind<\/span><\/p>\n

Between the sky and earth we encounter each other<\/span>
\nWe breathe and dance in their tenderness.<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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