{"id":5693,"date":"2021-09-16T09:26:04","date_gmt":"2021-09-16T01:26:04","guid":{"rendered":"https:\/\/goodideaart.com\/?page_id=5693"},"modified":"2021-09-30T18:25:11","modified_gmt":"2021-09-30T10:25:11","slug":"%e5%8f%b0%e6%98%9f%e5%b1%95-%e5%8f%b0%e7%81%a3-%e6%9e%97%e7%8f%ae%e6%b7%b3","status":"publish","type":"page","link":"https:\/\/goodideaart.com\/en\/%e5%8f%b0%e6%98%9f%e5%b1%95-%e5%8f%b0%e7%81%a3-%e6%9e%97%e7%8f%ae%e6%b7%b3\/","title":{"rendered":"Taiwan PEY-CHWEN LIN"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”64px”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5694″ img_size=”full”][\/vc_column][vc_column width=”1\/2″][vc_column_text]PEY-CHWEN LIN\uff081959- \uff09 <\/span><\/p>\n

1996 Doctor of Creative Arts, University of Wollongong, Australia
\n1984\/1985 M.A\/B.F.A., Central Missouri State University, USA<\/span>[\/vc_column_text][vc_column_text]ACADEMIC EXPERIENCE<\/span><\/p>\n

Base in Taipei and Kaohsiung in Taiwan, Pey-Chwen Lin was born in Taiwan in 1959. She has received many art awards and recognitions, including Taiwan Chung-Shing Award, Taiwan Public Art Award, Red Dot Award, Australian Visa of Distinguished Talent, One of The Best Asian Artists Selected by Picasso Mio, The First Prize (FELLOWSHIP PRIZE 2020 \u2013 Platinum Certificate Award in Art Project category) in Art Woman 2020 International Exhibition, PPLG Project & Services for the Culture and Contemporary Art Italy, and The First Prize of New Media Art in 2019 Italy XII Florence Biennial of International Award \u2018Lorenzo il Magnifico\u2019. Her works have been presented in many major museums and galleries all around the world, such as Queens Museum of Art in New York, CUNY\/ QCC Art Gallery in New York, Godwin-Ternbach Art Museum in New York, New York Art Foundation, TAAC Tribeca\/ E. Tay\/ R Gallery, American University Art Museum in Washington DC, San Francisco State University Art Museum, Moscow Platforma Art Space, WRO ART Center in Poland, Lviv National Art Museum in Ukraine, Museum of Contemporary Art in Skopje, Croatia: Galerija A\u017d Atelieri \u017ditnjak in Zagreb, Slovenia: SCCA\u2013Ljubljana Center for Contemporary Arts, Germany: Art Space \u2018Rosalux\u2019 in Berlin, National Taiwan Museum of Fine Arts, Taipei Fine Arts Museum, MOCA Taipei, Kaohsiung Museum of Art, Taidung Museum of Art, Tainan Art Museum, Guandu Art Museum, Fong-Chia Art Museum, MoNTUE Museum, Shanghai Museum of Contemporary Art, Shanghai Doland Museum of Fine Arts, Beijing 798 Artist Village, etc. Additionally, her works have been exhibited in many important biennales, exhibitions, festivals and art fairs such as Florence Biennale, Taipei Biennale, Taiwan Biennale, Poland WRO Media Art Biennale, Douro Printmaking Biennial, French Exit and Via Festival, 404 International Technology and Art Festival, Art Woman 2020 Italy PPLG, Asian Women\u2019s Art Exhibition, 40 Years Taiwan Contemporary Art Exhibition, Taipei Art Fair, Taichung Art Fair, Singapore Art Stage Art Fair, among others. <\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]SELECTED SOLO EXHIBITIONS<\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2006<\/span><\/td>\n\u201cThe Beautiful New World\u201d, 798 Art Village, Dimensions Art Center, Beijing, China 2005 \u201cFascination & Frustration\u201d, Artist Space of National Hsinchu University of Education\/ Art Center of Kao Yuan University, Hsinchu\/Kaohsiung, Taiwan<\/span><\/td>\n<\/tr>\n
2006<\/span><\/td>\n\u201cArtificial Life\u201d, Art Center of National Central University, Taoyuan, Taiwan<\/span><\/td>\n<\/tr>\n
2011<\/span><\/td>\n\u201cEve Clone Series\u201d, Museum of Contemporary Art, Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
2011<\/span><\/td>\n\u201cEve Clone Series II\u201d, Galerie Grand Siecle, Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
2012<\/span><\/td>\n\u201cEve Clone Series III\u201d, Art Stage Singapore, Singapore<\/span><\/td>\n<\/tr>\n
2015<\/span><\/td>\n\u201cRevelation\u2027Notification \u2013Solo Exhibition by Lin Pey-Chwen\u201d, National Tsing Hua University Arts Center, Hsinchu, Taiwan<\/span><\/td>\n<\/tr>\n
2017<\/span><\/td>\n\u201cMaking of Eve Clone\u201d, Galerie Grand Si\u00e8cle, Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
2018<\/span><\/td>\n\u201cMaking of Eve Clone II \u201c, B.B.Art, Tainan, Taiwan<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\n\u201cMaking of Eve Clone III\u201d, The Fine Arts Museum of National Defense, Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\n\u201cEve Clone Augmented Reality\u201d, QCC Art Gallery, CUNY, New York, USA<\/span><\/td>\n<\/tr>\n
2020<\/span><\/td>\n\u201cBody Manifestation : Pey-Chwen Lin Solo Exhibition\u201d, Da Xiang Art Space, Taichung, Taiwan<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]SELECTED JOINT EXHIBITIONS<\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2018<\/span><\/td>\n\u00a0\u201c404 International Festival of Art and Technology\u201d, The University of Massachusetts Lowell Art Center, Massachusetts, USA<\/span><\/td>\n<\/tr>\n
2018<\/span><\/td>\n\u201cDouro Printmaking Biennial\u201d, Douro, Portugal<\/span><\/td>\n<\/tr>\n
2018<\/span><\/td>\n\u201cXXI Symposium Neuroradiologicum\u201d, Taipei International Convention Center, Taipei<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\n\u201cGZ-New York\u201d, New York, USA<\/span><\/td>\n<\/tr>\n
2018<\/span><\/td>\n\u201cGZ-BASEL\u201d Parallel Exhibition of Art Basel, Basel, Swiss<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\n\u00a0\u201cShould We Play?\u201d, Taipei Art District Festival, Taipei, Taiwan<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\n\u201cBeing Here as ME: New Media Art Exhibition of Women Artists from Taiwan\u201d, American University Museum, Washington DC, USA<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\n\u201cGZ-XPO London \u2013Art and Awareness Exhibition\u201d, London, England<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\n\u00a0\u201cLight Year 53: From The People To The Land\u201d, Manhattan Bridge Anchorage, New York, USA<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\n\u201cUrban Tribes\u201d, New York Foundation for the Arts\/ El Taller Art Center\/TAAC Tribeca\/E. Tay\/R Gallery, New York, USA<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\n\u201cCross-border and Hybrid\u201d, Art Taipei, Taipei<\/span><\/td>\n<\/tr>\n
2020<\/span><\/td>\n\u201cXII Florence Biennale\u201d, Florence, Italy<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Revelation of Eve Clone III<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5695″ img_size=”full”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”5696″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Media: 3D Animation, Digital Image and Sound, Interactive System, 3D Printing Object,WebCam, Computer, Projector, Stereo Interactive installation Dimensions Variable<\/span>
\nYear: 2011<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Revelation of Eve Clone III was created and exhibited at the \u201cPost-Humanist Desire\u201d international art exhibition at MOCA Taipei. I used 3D animation to recreate all the characteristics in Revelation of Eve Clone I, such as reproductivity and the Time Code. Additionally, I added the Whore of Babylon, the Number of the Beast, and Bible verses related to the Great Image in the \u201cThe Book of Daniel. In this exhibition, Eve Clone\u2019s body had the texture of a golden head, a silver body, a brass belly, iron legs, and half-iron, half-clay feet. Her body, which looked like a fetus with a bowed head, was now a more attractive female body.<\/span><\/p>\n

Moreover, to show that she was the worshipped Great Image, I printed the animation file of Eve Clone into a 3D golden head, sticking it in the middle of the image so that the audience could touch the Number of the Beast on her forehead. This act of touching had multiple meanings: having sexual intercourse with her, being imprinted with the Number of the Beast, and raising a hand to worship her. In addition, it triggered Eve Clone to raise her head and dance, as if giving her life. The Time Code that keeps changing on the top of her head and the random Bible passages at the bottom of her feet together with the background music with weird iron rubbing sounds that sound like fake hymns convey a feeling of spookiness to the viewers.<\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”64px”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5694″ img_size=”full”][\/vc_column][vc_column width=”1\/2″][vc_column_text]PEY-CHWEN LIN\uff081959- \uff09 1996 Doctor of Creative Arts, University of Wollongong, Australia 1984\/1985 M.A\/B.F.A., Central Missouri State University, USA[\/vc_column_text][vc_column_text]ACADEMIC EXPERIENCE Base in Taipei and Kaohsiung in Taiwan, Pey-Chwen Lin was born in Taiwan in 1959. […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-5693","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"goodidea","author_link":"https:\/\/goodideaart.com\/en\/author\/goodidea\/"},"uagb_comment_info":0,"uagb_excerpt":"[vc_row][vc_column][vc_empty_space height=”64px”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”5694″ img_size=”full”][\/vc_column][vc_column width=”1\/2″][vc_column_text]PEY-CHWEN LIN\uff081959- \uff09 1996 Doctor of Creative Arts, University of Wollongong, Australia 1984\/1985 M.A\/B.F.A., Central Missouri State University, USA[\/vc_column_text][vc_column_text]ACADEMIC EXPERIENCE Base in Taipei and Kaohsiung in Taiwan, Pey-Chwen Lin was born in Taiwan in 1959. […]","_links":{"self":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/5693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/comments?post=5693"}],"version-history":[{"count":5,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/5693\/revisions"}],"predecessor-version":[{"id":6179,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/5693\/revisions\/6179"}],"wp:attachment":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/media?parent=5693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}