{"id":6740,"date":"2021-11-23T10:50:01","date_gmt":"2021-11-23T02:50:01","guid":{"rendered":"https:\/\/goodideaart.com\/?page_id=6740"},"modified":"2022-03-03T10:06:13","modified_gmt":"2022-03-03T02:06:13","slug":"%e6%9e%97%e7%8e%89%e5%b1%b1","status":"publish","type":"page","link":"https:\/\/goodideaart.com\/en\/%e6%9e%97%e7%8e%89%e5%b1%b1\/","title":{"rendered":"Lin Yu-Shan"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column_text][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”6891″ img_size=”medium” alignment=”center”][\/vc_column][vc_column width=”1\/2″][vc_column_text]Lin Yu-Shan(1907-2004)<\/span>\u00a0 \u00a0 \u00a0\u00a0<\/span><\/p>\n

Lin Yushan was one of the “Three Boys of Taiwan Provincial Art Exhibition” during the Japanese occupation period in Taiwan. Throughout his 80 years of creative endeavors, he has elevated Taiwan’s landscape, people, and ecology to a poetic level starting from sketching. Amidst the turbulent currents of the post-war Taiwan art community’s “orthodox Chinese painting controversy,” he traveled leisurely between the worlds of gouache and ink. With his exceptional compositions, he garnered widespread friendship and respect from both China-based painters and local painters, becoming one of the representative painters with significant historical positioning in Taiwan’s modern painting history.<\/span><\/p>\n

*From Poetics of Terroir: Lin Yushan\/Author: Hsiao Ching-Rui<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text]CHRONOLOGY
\n<\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1907<\/span><\/td>\nBorn in Meijie, Chiayi City, originally named Yinggui, also known as Jinshui, written as Lixian, later renamed Yushan, known as Yun Qiaozi, from Tirosen and Chiayi, he moved to Taipei and named his studio \u201cRong Hsi Cao Tang”.<\/span><\/td>\n<\/tr>\n
1914<\/span><\/td>\nEntered Chiayi First Public School (Chung-Wen Elementary School).<\/span><\/td>\n<\/tr>\n
1915<\/span><\/td>\nHis family opened a framing store called “Feng Ya Xuan” and he studied painting with the hired painter, Tsai Cheng-Xiang.<\/span><\/td>\n<\/tr>\n
1922<\/span><\/td>\nIntroduced by his cousin, he studied painting of the four flowers with Asaue Isaka and experienced poetry, calligraphy and painting of the literati for more than three years.<\/span><\/td>\n<\/tr>\n
1923<\/span><\/td>\nHis painting “The Tiger from the Mountain” was elected to the exhibition of the Calligraphy and Painting Division of the Chiayi Chamber of Commerce, the first time he participated in an exhibition.<\/span><\/td>\n<\/tr>\n
1924<\/span><\/td>\nHe studied watercolor and sketching with Tan Teng-pho. He was given the name “Lixian” by the famous scholar Zhang Ming-san.<\/span><\/td>\n<\/tr>\n
1926<\/span><\/td>\nHe went to Tokyo to study painting at the Kawabata School of Painting and entered the Western Painting Department, and in June, he transferred to the Japanese Painting Department.<\/span><\/td>\n<\/tr>\n
1927<\/span><\/td>\nExhibited “The Great South Gate” and “Water Buffalo” in the first Taiwan Provincial Art Exhibition.<\/span><\/td>\n<\/tr>\n
1928<\/span><\/td>\nWedded Huang Hui. Entered the second Taiwan Provincial Art Exhibition with his work “Ting Mao”.Invited artists from Chiayi and Tainan to participate and established the “Chun Meng Painting Association” with the selected Taiwan Provincial Art Exhibition painters as axis members.<\/span><\/td>\n<\/tr>\n
1929<\/span><\/td>\nLin Yushan and Chiayi literati organized the “Ya She Painting and Calligraphy Association” and held a painting exhibition. His works “Zhou Lianxi” and “Halcyon Rain” were exhibited in the third Taiwan Provincial Art Exhibition. The famous scholar Su Ying-Tsun named him “Yushan”.<\/span><\/td>\n<\/tr>\n
1930<\/span><\/td>\nIn February, he joined the sandan society, which was established by Gobara Koto. Introduced to the “Gull Society” by a fellow painter, Chu Fu-ting, and studied poetry under Lai Hui-chuan.<\/span><\/p>\n

His work “Lotus Pond” won the “Special Selection” in the 4th Taiwan Provincial Art Exhibition.<\/span><\/td>\n<\/tr>\n

1931<\/span><\/td>\nJoins the “Chiayi Society” and participates in the annual Chiayi Joint Poetry Conference. The 5th Taiwan Provincial Art Exhibition, received no inspection entry for the work “Zhu Luan”.<\/span><\/td>\n<\/tr>\n
1932<\/span><\/td>\nOrganized a book club with Chu Fu-Ting and others. The sixth Taiwan Provincial Art Exhibition, the work “Sugar Cane”, was selected as the second best special selection.<\/span><\/td>\n<\/tr>\n
1933<\/span><\/td>\nFirst solo exhibition at the Xiluo Guild Hall. Organized the “Li Kuang Association” with Lu Tieh-Chu, Guo Xue-Hu and Chen Jing-Hui, and held exhibitions every spring. The seventh Taiwan Provincial Art Exhibition featured “Sunset” and won the first prize special select.<\/span><\/td>\n<\/tr>\n
1934<\/span><\/td>\nThe eighth Taiwan Provincial Art Exhibition featured “Bai Yu Puo”. Held a second solo exhibition at the Taiwan Ri Ri Xin Bao office.<\/span><\/td>\n<\/tr>\n
1935<\/span><\/td>\nIn May, he went to Kyoto to study at the Togusha Painting School, founded by Insho Domoto(1893-1976). Selected for the 7th Nagoya Art Exhibition in Japan with his flower and bird painting “Fig”. The ninth Taiwan Provincial Art Exhibition featured \u201cGarden Memory of the Past”.<\/span><\/td>\n<\/tr>\n
1936<\/span><\/td>\nReturned to Taiwan from Japan. In May, he held his third solo exhibition at Chiayi Guild Hall, “Exhibition of Works in Kyoto”. The seventh Sandan exhibition featured “Liguang”, a final exhibition of the Sandan Society. The 10th Taiwan Provincial Art Exhibition featured “Dawn” and he received a medal for his 10th consecutive year of exhibition.<\/span><\/td>\n<\/tr>\n
1938<\/span><\/td>\nTaiwan Provincial Art Exhibition was renamed as Taiwan Governor’s Office Art Exhibition, and his first work, “Mighty Vision”, was not examined. Illustrated a novel serialized in Taiwan Ri Ri Xin and Feng Yue Newspaper.<\/span><\/td>\n<\/tr>\n
1939<\/span><\/td>\nIn January, participated in the Japanese Manchurian Goodwill Calligraphy and Painting Exhibition. Selected for the second Taiwan Governor’s Office Art Exhibition “Pending”.<\/span><\/td>\n<\/tr>\n
1940<\/span><\/td>\nThe 6th Taiyang Art Exhibition established the Oriental Division and joined the Taiyang Art Association.<\/span><\/p>\n

The 3rd Taiwan Governor’s Office Art Exhibition featured the “Spring of the Island” selection.<\/span><\/td>\n<\/tr>\n

1941<\/span><\/td>\nThe 4th Taiwan Governor’s Office Art Exhibition featured “Cow”.<\/span><\/td>\n<\/tr>\n
1942<\/span><\/td>\nIllustrated Yang Kui’s translations of The Three Kingdoms, The Journey to the West, and Li Xianzhang’s Rituals and Practices. Xiao Ai received recommendation by the 5th Taiwan Governor’s Office Art Exhibition.<\/span><\/td>\n<\/tr>\n
1943<\/span><\/td>\nJoined the General Affairs Division of Chiayi Soy Sauce Association. In May, the “Taiwan Fine Arts Association” was established and served as a director.<\/span><\/td>\n<\/tr>\n
1945<\/span><\/td>\nInscribed couplets for Biyun Temple in Guanziling.<\/span><\/td>\n<\/tr>\n
1946<\/span><\/td>\nServed as an art teacher in Chiayi City High School. Appointed as a member of the review committee of the Chinese Painting Department for the “Taiwan Provincial Art Exhibition”; exhibited “Bamboo Bird” and “Horse in Willow” for the first time.<\/span><\/td>\n<\/tr>\n
1948<\/span><\/td>\nServed as an art teacher in Chiayi City High School. Appointed as a member of the review committee of the Chinese Painting Department for the “Taiwan Provincial Art Exhibition”; exhibited “Bamboo Bird” and “Horse in Willow” for the first time.<\/span><\/td>\n<\/tr>\n
1949<\/span><\/td>\nTransitioned to the position of art teacher at Chiayi Provincial High School. Painted murals for Cilong Temple in Chiayi City.<\/span><\/td>\n<\/tr>\n
1950<\/span><\/td>\nHe moved to Taipei and taught at the Blessed Imelda’s School.<\/span><\/td>\n<\/tr>\n
1951<\/span><\/td>\nTaught part-time in the Art Department of Taiwan Provincial Normal College. Appointed as a reviewer for the province’s student art exhibition.<\/span><\/td>\n<\/tr>\n
1956<\/span><\/td>\nTransferred to the Department of Art, Taiwan Provincial Normal University as a teacher. Published the first collection of “Yushan’s paintings” by Chun Meng Art Institute.<\/span><\/td>\n<\/tr>\n
1957<\/span><\/td>\nAppointed as a member of the Aesthetic Education Committee of the Ministry of Education. Served as a member of the 4th National Art Exhibition’s Chinese Painting Department. Participated in a delegation of professors from the Art Department of Taiwan Provincial Normal University to Japan.<\/span><\/td>\n<\/tr>\n
1961<\/span><\/td>\nFormed the “Eight Friends Painting Association” with Ma Shaowen, Wang Zhanru, Zheng Yuebo, Hu Kemin, Fu Qiwu, Ji Kang, and Chen Dancheng.<\/span><\/td>\n<\/tr>\n
1964<\/span><\/td>\nRelocated to an apartment on Jinhua Street. His fourth solo exhibition was held at the Provincial Museum, and the second collection of “Yushan’s Paintings” was published by Chun Meng Art Institute.<\/span><\/td>\n<\/tr>\n
1966<\/span><\/td>\nIn October, he held a small exhibition in Kobe, went to Kyoto to visit his teacher, Domoto, and visited Seigai Kinoshita in Kokura, Kyushu. Returned to Tokyo, visited Tokyo University of the Arts and museums with Li Meishu and Hong Ruilin.<\/span><\/td>\n<\/tr>\n
1966-67<\/span><\/td>\nHe flew from Tokyo to Singapore for his fifth solo exhibition and lectured at Nanyang Academy of Fine Arts. Traveled to Singapore, Malaysia and Thailand.<\/span><\/td>\n<\/tr>\n
1969<\/span><\/td>\nReceived the Golden Duke Award from the Chinese Painting Society.<\/span><\/td>\n<\/tr>\n
1970<\/span><\/td>\nAwarded the cultural and artistic painting prize by the Ministry of Education.<\/span><\/td>\n<\/tr>\n
1972<\/span><\/td>\nIn May, founded the “Changliu Painting Association” with Xu Shenzhou, Chen Jin, Huang Goubo, Lin Zhisuke and Chen Huikun, and held the first exhibition at the Provincial Museum.<\/span><\/td>\n<\/tr>\n
1974<\/span><\/td>\nParticipated in a special exhibition of tiger paintings at the Museum of History in the Year of the Tiger. Invited to visit the U.S. and held his sixth solo exhibition at St. John’s University in October.<\/span><\/td>\n<\/tr>\n
1975<\/span><\/td>\nIn April, invited to lecture at the University of Wisconsin.<\/span><\/td>\n<\/tr>\n
1977<\/span><\/td>\nRetired from the Department of Fine Arts of National Taiwan Normal University, but continued to teach part-time until 1992.<\/span><\/td>\n<\/tr>\n
1979<\/span><\/td>\nAttended the opening ceremony of the 15th anniversary of the Asia Contemporary Art Exhibition in Tokyo on behalf of the R.O.C. artists, and exchanged exhibitions with the Southern Academy in Japan.<\/span><\/td>\n<\/tr>\n
1987<\/span><\/td>\nAttended the opening ceremony of the 15th anniversary of the Asia Contemporary Art Exhibition in Tokyo on behalf of the R.O.C. artists, and exchanged exhibitions with the Southern Academy in Japan.<\/span><\/td>\n<\/tr>\n
1988<\/span><\/td>\nAttended the opening ceremony of the 15th anniversary of the Asia Contemporary Art Exhibition in Tokyo on behalf of the R.O.C. artists, and exchanged exhibitions with the Southern Academy in Japan.<\/span><\/td>\n<\/tr>\n
1989<\/span><\/td>\nIn June, invited by the National Museum of History, held a joint exhibition with Chen Jin and Chen Huikun.<\/span><\/td>\n<\/tr>\n
1990<\/span><\/td>\nReceived the 15th National Arts and Culture Special Contribution Award. Participated in the founding of the Taipei City gouache painting association \u201cTaiwan Green Water Painting Association\u201d.<\/span><\/td>\n<\/tr>\n
1991<\/span><\/td>\nHeld the “Lin Yushan Retrospective” at the Taipei Fine Arts Museum in March.<\/span><\/td>\n<\/tr>\n
1997<\/span><\/td>\nReceived the 15th National Arts and Culture Special Contribution Award. Participated in the founding of the Taipei City gouache painting association \u201cTaiwan Green Water Painting Association\u201d.<\/span><\/td>\n<\/tr>\n
1999<\/span><\/td>\nHeld the “Lin Yushan Retrospective” at the Taipei Fine Arts Museum in March.<\/span><\/td>\n<\/tr>\n
2000<\/span><\/td>\nHeld the “Lin Yushan Retrospective” at the Taipei Fine Arts Museum in March.<\/span><\/td>\n<\/tr>\n
2003<\/span><\/td>\nHeld “Lin Yushan’s Homecoming Exhibition” at Chiayi City Cultural Center.<\/span><\/td>\n<\/tr>\n
2004<\/span><\/td>\nExhibition at the Museum of History: “88th Executive Yuan Cultural Award – Prof. Lin Yushan’s Creative Works”.<\/span><\/td>\n<\/tr>\n
2006<\/span><\/td>\nHeld the “Painting Nature: Lin Yushan’s Paintings” exhibition at the Soka Gakkai Art Center in Taiwan.<\/span><\/td>\n<\/tr>\n
2015<\/span><\/td>\nHeld the “Lin Yushan 98 Retrospective” at the Changliu Art Museum and published an album. Passed away in August.<\/span><\/td>\n<\/tr>\n
2016<\/span><\/td>\nHeld a 100th anniversary exhibition at the National Museum of History, “The World of Lin Yushan’s Paintings”.<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\u00a0<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_single_image image=”6751″ img_size=”full” alignment=”center” onclick=”link_image”][vc_column_text]<\/p>\n

*This work is currently collected by Soka Gakkai Taiwan<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text]Sailing in the Wind and Waves<\/span><\/p>\n

1986<\/span><\/p>\n

Eastern Gouache\u3001paper<\/span><\/p>\n

53\u00d766cm<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_column_text]<\/p>\n

Warmth of the Spring River <\/span><\/p>\n

Chinese paintings<\/span><\/p>\n

91x113cm<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_single_image image=”6750″ img_size=”full” alignment=”center” onclick=”link_image”][vc_column_text]<\/p>\n

* This work is currently collected by National Museum of History<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_single_image image=”6749″ img_size=”full” alignment=”center” onclick=”link_image”][vc_column_text]<\/p>\n

*This work is currently collected by Tainan Art Museum<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text]Emperor Pheasant <\/span><\/p>\n

1991<\/span><\/p>\n

Eastern Gouache\u3001paper<\/span><\/p>\n

52×45 cm<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_column_text]<\/p>\n

Night Assault<\/span><\/p>\n

\u00a01989\u00a0<\/span><\/p>\n

Eastern Gouache\u3001Paper<\/span><\/p>\n

87 x 91 cm\u00a0<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_single_image image=”6748″ img_size=”full” alignment=”center” onclick=”link_image”][vc_column_text]<\/p>\n

*This work is in private collection<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”6747″ img_size=”full” alignment=”center” onclick=”link_image”][vc_column_text]<\/p>\n

*This work is currently collected by National Taiwan Museum of Fine Arts<\/span><\/p>\n

<\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]Chirpy Finch<\/span><\/p>\n

1973<\/span><\/p>\n

Ink Painting<\/span><\/p>\n

97.6×64.5cm<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_column_text]<\/p>\n

Lotus Pond<\/span><\/p>\n

1930<\/span><\/p>\n

Eastern Gouache<\/span><\/p>\n

146.4 x 215.2 cm<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_single_image image=”6746″ img_size=”full” alignment=”center” onclick=”link_image”][vc_column_text]<\/p>\n

*This work is currently collected by National Taiwan Museum of Fine Arts<\/span><\/p>\n

<\/h3>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”6745″ img_size=”full” alignment=”center” onclick=”link_image”][vc_column_text]<\/p>\n

*This work is currently collected by \u00a0KAOHSIUNG MUSEUM OF FINE ARTS<\/span><\/p>\n

<\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]Tiger<\/span><\/p>\n

1987<\/span><\/p>\n

Eastern Gouache<\/span><\/p>\n

101x60cm<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_column_text]<\/p>\n

Jade Peak<\/span><\/p>\n

1998<\/span><\/p>\n

Ink paintings<\/span><\/p>\n

59 x 65cm<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_single_image image=”6743″ img_size=”full” alignment=”center” onclick=”link_image”][vc_column_text]<\/p>\n

*This work is currently collected by National Taiwan Museum of Fine Arts<\/span><\/p>\n

<\/h3>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][vc_single_image image=”7023″ img_size=”full”][vc_column_text]<\/p>\n

*This work is currently collected by Taipei Fine Arts Museum<\/span><\/p>\n

<\/h3>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][vc_column_text]Two Heads of Cattle<\/span>
\n1941<\/span>
\nGouache on Paper<\/span>
\n134.7 \u00d7 174 cm<\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column_text][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”6891″ img_size=”medium” alignment=”center”][\/vc_column][vc_column width=”1\/2″][vc_column_text]Lin Yu-Shan(1907-2004)\u00a0 \u00a0 \u00a0\u00a0 Lin Yushan was one of the “Three Boys of Taiwan Provincial Art Exhibition” during the Japanese occupation period in Taiwan. Throughout his 80 years of creative endeavors, he has elevated Taiwan’s […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-6740","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"goodidea","author_link":"https:\/\/goodideaart.com\/en\/author\/goodidea\/"},"uagb_comment_info":0,"uagb_excerpt":"[vc_row][vc_column][vc_column_text][\/vc_column_text][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”6891″ img_size=”medium” alignment=”center”][\/vc_column][vc_column width=”1\/2″][vc_column_text]Lin Yu-Shan(1907-2004)\u00a0 \u00a0 \u00a0\u00a0 Lin Yushan was one of the “Three Boys of Taiwan Provincial Art Exhibition” during the Japanese occupation period in Taiwan. Throughout his 80 years of creative endeavors, he has elevated Taiwan’s […]","_links":{"self":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/6740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/comments?post=6740"}],"version-history":[{"count":10,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/6740\/revisions"}],"predecessor-version":[{"id":6742,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/6740\/revisions\/6742"}],"wp:attachment":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/media?parent=6740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}