{"id":8548,"date":"2022-11-29T14:10:02","date_gmt":"2022-11-29T06:10:02","guid":{"rendered":"https:\/\/goodideaart.com\/?page_id=8548"},"modified":"2022-12-30T08:34:33","modified_gmt":"2022-12-30T00:34:33","slug":"%e4%bd%95%e5%98%89%e6%85%a7-3","status":"publish","type":"page","link":"https:\/\/goodideaart.com\/en\/%e4%bd%95%e5%98%89%e6%85%a7-3\/","title":{"rendered":"Panting HO KAR HUI"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”6091″ img_size=”medium” alignment=”right”][\/vc_column][vc_column width=”1\/2″][vc_column_text]HO KAR HUI (1974-)<\/span>
\nExperience<\/span><\/p>\n\n\n\n\n\n\n
1996<\/span><\/td>\nDiploma in Fine Art (Painting \u2013 Distinction) LASALLE-SIA College of the Arts, Singapore<\/span><\/td>\n<\/tr>\n
1998<\/span><\/td>\nBachelor of Arts Degree in Fine Art (Painting \u2013 High Distinction) Royal Melbourne Institute of Technology (RMIT) University, Singapore<\/span><\/td>\n<\/tr>\n
2010<\/span><\/td>\nMaster of Education (Art) Nanyang Technological University – National Institute of Education, Singapore<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\n\u201cPerson-Centered\u201d Arts Practices With Communities: The Artist Training Program (supported by NAC), Singapore<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][\/vc_column][vc_column width=”3\/4″][vc_column_text]Exhibition <\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2022<\/span><\/td>\nARTWORD EXHIBITION<\/strong>, Visual Arts Centre, Singapore<\/span><\/td>\n<\/tr>\n
2022<\/span><\/td>\nTaiwan & Singapore Arts Exchange Exhibition; online exhibition<\/span><\/td>\n<\/tr>\n
2020<\/span><\/td>\n\u201cPAMERAN POSKAD\u201d Exhibition ION Orchard Gallery, Singapore<\/span><\/td>\n<\/tr>\n
2019<\/span><\/td>\n\u00a0Bless Asia \u201cBEAUTIFULLY MADE\u201d Exhibition (group), Far East Plaza Concourse, Singapore<\/span><\/td>\n<\/tr>\n
2016<\/span><\/td>\nYoung Artists\u2019 Club 30th Anniversary Art Exhibition \u201cSparkle of Youth\u201d<\/span>
\nSingapore Chinese Chamber of Commerce & Industry, Level 2 Exhibition Hall, <\/span>
\nSingapore<\/span><\/td>\n<\/tr>\n
2012<\/span><\/td>\nInstallation Artwork \u201cFREE!\u201d in collaboration with ONE Choir (conductor \u2013 Ms <\/span>
\nLim Ai Hooi)<\/span>
\nSchool Of The Arts Foyer, Singapore <\/span><\/td>\n<\/tr>\n
2010<\/span><\/td>\nYELLOW RIBBON PROJECT ART EXHIBITION (Judges\u2019 Category)<\/span>
\n8Q, Singapore Art Museum<\/span><\/td>\n<\/tr>\n
2010<\/span><\/td>\n\u201cTRANSFORMATION\u201d ART EXHIBITION (MEd Aesthetics Module, lectured & <\/span>
\ncurated by Ms Susie Lingham)<\/span>
\nThe Art Gallery, National Institute of Education<\/span><\/td>\n<\/tr>\n
2009<\/span><\/td>\n\u201cCARE-LESS\u201d, Group Exhibition, FORTH Gallery, Singapore<\/span><\/td>\n<\/tr>\n
2009<\/span><\/td>\n\u201cCHARITY ART EXHIBITION\u201d, Lutheran Community Care Services<\/span>
\nSingapore Calligraphy Centre, Singapore<\/span><\/td>\n<\/tr>\n
2007<\/span><\/td>\n\u201cSTILL SMALL VOICE, An exhibition by C.Art\u201d (group), Utterly Art Exhibition <\/span>
\nSpace, Singapore<\/span><\/td>\n<\/tr>\n
2001<\/span><\/td>\nE\u2019YD\u201d (Hebrew word for \u201cchaos\u201d) Art Exhibition Substation Gallery, Singapore<\/span><\/td>\n<\/tr>\n
2001<\/span><\/td>\n\u201cHEART, SOUL AND MIND\u201d Art Exhibition (Contemporary Christian Expressions)<\/span>
\nWetterling Teo Art Gallery, Singapore<\/span><\/td>\n<\/tr>\n
2000<\/span><\/td>\n\u201cFEED THE BIRDS\u201d Art Exhibition (group), Orchard Point, Singapore<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][vc_column_text]\u00a0Awards<\/span><\/p>\n\n\n\n\n\n
1996<\/span><\/td>\nThe Della Butcher Award Exhibition (by Rotary Club Orchard Singapore) <\/span>
\nCertificate of Merit \u2013 One of LASALLE-SIA\u2019s Representatives<\/span><\/td>\n<\/tr>\n
1995<\/span><\/td>\nUOB \u201c14th Painting of the Year\u201d Competition<\/span>
\nHighly Commended Award \u2013 Representational Section<\/span><\/td>\n<\/tr>\n
1992<\/span><\/td>\nUOB \u201c11th Painting of the Year\u201d Competition<\/span>
\nCertificate of Distinction Award \u2013 Junior Section<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”8549″ img_size=”full” alignment=”right” onclick=”link_image”][\/vc_column][vc_column width=”1\/2″][vc_column_text]CELEBRATION OF LIFE 1<\/span>
\n2019<\/span>
\nAcrylic on canvas<\/span><\/p>\n

The series of \u201cCelebration of Life\u201d artworks depict my joys of conceiving my child after ten years of marriage \u2013 loving her at first sight, from a tiny blinking light and hearing her heartbeat, to following her amazing development through monthly ultrasound screenings.\u00a0 These artworks are also in response to the Singapore HEART PROJECT that promotes pro-life and against abortion.\u00a0 Every life is God\u2019s precious and unique creation, worth beholding a lifetime.\u00a0 \u201cI praise You for I am fearfully and wonderfully made.\u201c (Psalm 139:14a)<\/span>[\/vc_column_text][vc_column_text]<\/p>\n

Up ot down<\/p>\n

1.1 \u2013 LOVE AT FIRST SIGHT 15.24cm x 20.32cm
\n1.2 \u2013 INTRICATELY FORMING 22.86cm x 30.48cm
\n1.3 \u2013 RHYTHM OF LIFE 30.48cm x 40.64cm[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

CELEBRATION OF LIFE 2 \u2013 THE CONNECTION<\/span>
\n2019<\/span>
\nMixed media
\nFetal model\uff1a14cm(L) x 14cm(W) x 12cm(H)
\nExhibition box:25cm(L) x 22cm(W) x 23cm(H)
\n<\/span>
\nThe series of \u201cCelebration of Life\u201d artworks depict my joys of conceiving my child after ten years of marriage.\u00a0 The fetus model in polymer clay is another medium to express the desire to behold the fetus with the sense of touch.\u00a0 The process of molding the fetus model reminded me of how we are the clay and our Creator is the Potter. The fetus model (together with the placenta and life-sustaining cord) is displayed in a transparent casing (lined with blood-red colour background) with two side-openings.\u00a0 The box resembles an incubator (meant to sustain the baby\u2019s life and to observe the baby\u2019s condition).\u00a0 Viewer is invited to reach inside the display box to hug & hold the fetus & placenta model from behind.\u00a0 This would connect the installed disc-battery to the circuit to light up the blinking light (inserted in the fetus\u2019 chest area), suggesting the fetus\u2019 heartbeat and being alive.\u00a0 For a mother\/mother-to-be, it is a special heart-warming bond\/connection with the little life that is part of her, intimate and delicate.<\/span><\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”8550″ img_size=”full” onclick=”link_image”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”8556″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”8557″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

HAND IN HAND (1) & HAND IN HAND (2)
\n<\/span>
\n2016<\/span>
\nAcrylic on canvas<\/span>
\n30cm(L) x 30cm(W)<\/span><\/p>\n

Artwork \u201cHand In Hand (1)\u201d shows my hand holding my child\u2019s hand, moving forth above the clouds in bright light.\u00a0 The artwork suggests guiding the child towards a bright future in faith.<\/span><\/p>\n

Artwork \u201cHand in Hand (2)\u201d shows my hand holding my child\u2019s hand (which is in turn holding a paper aeroplane in a silhouette shape, about to aim and thrust it into the sky).\u00a0 Inside the paper aeroplane shape shows bright blue sky with white clouds, against the background of dark looming clouds.\u00a0 This artwork speaks of embracing hope and focusing heavenward, in the midst of gloom and uncertainties.\u00a0\u00a0<\/span><\/p>\n

Both artworks seek to portray the heart of a parent towards his\/her child, likened to a shepherd guiding his sheep and nurturing them with Godly values.\u00a0 <\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_single_image image=”8551″ img_size=”full” alignment=”center” onclick=”link_image”][vc_column_text]<\/p>\n

PASSOVER (1) & PASSOVER (2)
\n<\/span>2007<\/span>
\nAcrylic on wood<\/span><\/p>\n

The very first Passover refers to God preserving the Hebrews in Egypt by instructing them to put the blood of lamb (symbol of Jesus Christ as the sacrifice for man\u2019s sins) on the top and both sides of the doorframes, and to stay indoors so that the destroyer would pass over the households when he saw the blood, and not harm them.\u00a0 Coincidentally, Chinese down the history have also practised placing red couplets written with auspicious blessings over their doorframes to keep off evil spirits, and to celebrate the Pass-over of the \u201cYear\u201d (\u2018Nian\u2019, \u5e74, supposedly a legendary beast)\u2026<\/span><\/p>\n

The word \u201cLamb\u201d (\u2018Yang\u2019, \u7f8a) appears in many Chinese characters related to peace, kindness, beauty, image, righteousness…, which may well suggest the sacrificial lamb of God \u2013 Jesus.\u00a0 God\u2019s still small voice indeed transcends time, space and cultures to proclaim His Shalom in this turbulent world\u2026<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”8571″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”8570″ img_size=”full” alignment=”center” onclick=”link_image”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”6091″ img_size=”medium” alignment=”right”][\/vc_column][vc_column width=”1\/2″][vc_column_text]HO KAR HUI (1974-) Experience 1996 Diploma in Fine Art (Painting \u2013 Distinction) LASALLE-SIA College of the Arts, Singapore 1998 Bachelor of Arts Degree in Fine Art (Painting \u2013 High Distinction) Royal Melbourne Institute of […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"class_list":["post-8548","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"goodidea","author_link":"https:\/\/goodideaart.com\/en\/author\/goodidea\/"},"uagb_comment_info":0,"uagb_excerpt":"[vc_row][vc_column][vc_column_text][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_single_image image=”6091″ img_size=”medium” alignment=”right”][\/vc_column][vc_column width=”1\/2″][vc_column_text]HO KAR HUI (1974-) Experience 1996 Diploma in Fine Art (Painting \u2013 Distinction) LASALLE-SIA College of the Arts, Singapore 1998 Bachelor of Arts Degree in Fine Art (Painting \u2013 High Distinction) Royal Melbourne Institute of […]","_links":{"self":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/8548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/comments?post=8548"}],"version-history":[{"count":10,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/8548\/revisions"}],"predecessor-version":[{"id":8762,"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/pages\/8548\/revisions\/8762"}],"wp:attachment":[{"href":"https:\/\/goodideaart.com\/en\/wp-json\/wp\/v2\/media?parent=8548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}